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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Mary Poppins Returns review - Emily Blunt makes the role her own

Wednesday, 19 December 2018 Read more...

Aladdin, New Wimbledon Theatre review - enjoyable but underpowered

Monday, 17 December 2018 Read more...

Aladdin, Hackney Empire review - Clive Rowe returns as the Dame

Monday, 10 December 2018 Read more...

Hari Kondabolu, Soho Theatre review - from politics to papayas

Wednesday, 05 December 2018 Read more...

Matt Forde, Purcell Room review - politics plus deft impressions

Monday, 03 December 2018 Read more...

Dick Whittington, Lyric Hammersmith review - big-hearted fun

Wednesday, 28 November 2018 Read more...

Dave Gorman, Royal Festival Hall review - PowerPoint king is back with bite

Tuesday, 27 November 2018 Read more...

Natalie Palamides, Soho Theatre - challenging show about consent

Friday, 16 November 2018 Read more...

Peterloo review - Mike Leigh's angry historical drama

Thursday, 01 November 2018 Read more...

I and You, Hampstead Theatre review - Young Adult drama packs emotional punch

Tuesday, 30 October 2018 Read more...

Ayesha Hazarika, Soho Theatre review - feminism examined

Monday, 29 October 2018 Read more...

Ciarán Dowd, Soho Theatre review - terrific spoof swordsman tale

Monday, 15 October 2018 Read more...

The Bisexual, Channel 4 review - joyless comedy drama

Thursday, 11 October 2018 Read more...

Ivo Graham, Soho Theatre review - the perils of growing up

Monday, 08 October 2018 Read more...

Nish Kumar, Soho Theatre review - the state we're in

Friday, 05 October 2018 Read more...

Black 47 review - a gripping and unusual drama

Thursday, 27 September 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Classical CDs: Bells, birdsong and braggadocio

 

Thomas Adès, Oliver Leith, William Marsey:...

Siglo de Oro, Wigmore Hall review - electronic Lamentations...

Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

Jenny Saville: The Anatomy of Painting, National Portrait Ga...

When in the 1990s, Jenny Saville’s peers shunned painting in...

Hot Milk review - a mother of a problem

Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama"....

Glastonbury Festival 2025: Five Somerset summer days of musi...

MONDAY 30th JUNE 2025

“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by...

Tom Raworth: Cancer review - truthfulness

I recently heard a BBC Radio 4 presenter use the troubling phrase: "Not everyone agreed on the reality of that." Once the domain of Andre Breton’s...

Hill, Sky Documentaries review - how Damon Hill battled his...

Some world champion racing drivers make it look effortless, but it was never that way for Damon Hill. His path to the championship he won in 1996...

Album: Kesha - .

“I’m, like, pop star when I have to pop star, and then I’m...

The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...