sat 28/12/2024

Visual Arts Reviews

Gillian Wearing and Claude Cahun, National Portrait Gallery

Sarah Kent

This show of work by two artists who use photography to explore the complexities of their own identity has to be the most interesting exhibition ever staged at the National Portrait Gallery, and opening in the same week as International Women's Day couldn't be more fitting.

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Deutsche Börse/Roger Mayne, Photographers' Gallery

Bill Knight

Lending its name to a major photography prize for the 12th year running, Deutsche Börse has joined the ranks of business organisations known to many for their involvement in the arts rather than what they actually do. Unlike Taylor Wessing or Man Booker, the clue is in the name: German Stock Exchange is reasonably self-explanatory, at least if you speak the language.

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Vanessa Bell, Dulwich Picture Gallery

Marina Vaizey

The Other Room, dating from the late 1930s, is the largest painting in Dulwich Picture Gallery's landmark retrospective, the first show to be dedicated to Vanessa Bell since a posthumous Arts Council show in 1964.

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America After the Fall, Royal Academy

Alison Cole

It may be a cliché to say that this is a “timely” exhibition, but America After the Fall invites irresistible parallels with Trump’s America of today.

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Revolution: Russian Art 1917-1932, Royal Academy

Sarah Kent

This must be the most depressing exhibition I have ever seen. Dedicated to the leaders of the Russian Revolution, the first room features official portraits by Isaak Brodsky of Lenin and Stalin plus drawings and models of Lenin’s vast mausoleum in Moscow’s Red Square.

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Sunday Book: Philip Hook - Rogues' Gallery

Florence Hallett

The art dealers of today must be thanking their lucky stars that Philip Hook’s remarkable history of their trade stops where it does. For while it serves as an eminently useful if rather specialised reference book, it’s a history pushed along by a ferocious analysis of the art dealing fraternity, the general thrust of which is encapsulated in its no-nonsense title.

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David Hockney, Tate Britain

Alison Cole

As the UK prepares for a particularly severe cold snap, the opening of David Hockney’s major retrospective at Tate Britain brings a welcome burst of Los Angeles light and colour and Yorkshire wit and warmth. The exhibition, which opens in the lead-up to Hockney’s 80th birthday, will be deservedly popular...

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Michael Andrews, Gagosian Gallery

Marina Vaizey

Drifting, floating, running, crowding: all these feelings of movement and stasis apply in a mesmerising selection of scenes, imagined and observed over 40 years by a true original. Michael Andrews (1928-1995), born and brought up in Norwich, studied at the Slade School during a golden period.

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Francis Bacon: A Brush with Violence, BBC Two

Adam Sweeting

Francis Bacon died in April 1992, aged 82, but heaven knows how he managed to live that long.

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Lubaina Himid, Modern Art Oxford and Spike Island, Bristol

Sarah Kent

Modern Art Oxford and Spike Island, Bristol have joined forces to create a retrospective of Lubaina Himid’s work that spans some 30 years, includes paintings, drawings, collages, sculptures and assemblages and proves what a highly original and complex artist she is.  

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