Visual Arts Reviews
Terrains of the Body, Whitechapel GalleryMonday, 23 January 2017
An exhibition of this calibre deserves to be in the main gallery rather than tucked away in a side room; but these photographs and videos are by women artists, and with Donald Trump entering the White House, it looks as if treating women as second class citizens may become the norm once more. Read more... |
Lockwood Kipling, Victoria & Albert MuseumSaturday, 21 January 2017
From India, here is a hoard of what really looks like treasure, much of it emerging into the light of day after decades, if not a century. Read more... |
War in the Sunshine, Estorick CollectionTuesday, 17 January 2017
North London’s much loved Estorick Collection is reopening its doors after a five-month spruce up. The Georgian listed building that houses a 120-piece collection of modern Italian art now boasts a new glass conservatory, opened out entrance hall and "daylight-enhanced" gallery spaces. It all bodes well, even if the reliance on a period of prolonged British sunshine to complete the effect feels a touch optimistic right now. Here’s hoping. Read more... |
Gavin Turk, Newport Street GalleryWednesday, 11 January 2017
The timing of Gavin Turk’s retrospective couldn’t be better. Read more... |
Australia's Impressionists, National GalleryWednesday, 04 January 2017
Painted in 1891 by Tom Roberts, A Break Away! shows us a flock of maddened, thirsty sheep careering down a hillside stripped of grass by drought, accompanied by rollicking sheepdogs and cowboy shepherds on horses. If those sheep pile on top of one another into the puny stream at the bottom of the hill, injury – even death – will occur. The perspective is vertiginous, and the scene almost visibly pulsates with energy. Read more... |
Best of 2016: ArtThursday, 29 December 2016
Before we consign this miserable year to history, there are a few good bits to be salvaged; in fact, for the visual arts 2016 has been marked by renewal and regeneration, with a clutch of newish museum directors getting into their stride, and spectacular events like Lumiere London, and London’s Burning bringing light in dark times. Read more... |
Sunday Book: Treasure Palaces - Great Writers Visit Great MuseumsSunday, 18 December 2016
The modern experience of visiting museums is so far from the hushed contemplation envisaged by our Victorian forebears that the very idea is sufficient to induce a rosy glow of nostalgia, as befits the time of year. And while the Christmas hordes in the Natural History Museum are surely motivated less by the vain hope of a quiet corner than some brief respite from enforced conviviality, museums remain as much a part of the festive cocoon as carol-singing and ghost stories. Read more... |
Zaha Hadid, Serpentine GalleryMonday, 12 December 2016
It is appropriate that this exhibition of Zaha Hadid’s early drawings and paintings should be shown at the Serpentine’s Sackler Gallery, which adjoins the restaurant she designed in 2013. The white, curvilinear extension was one of the first permanent structures she was able to build in London. And looking at her visionary drawings and paintings, it becomes clear why she had to wait so long for her work to be accepted here. Read more... |
Robert Rauschenberg, Tate ModernThursday, 08 December 2016
The Good American, a Texan no less, has landed at Tate Modern in style. This posthumous retrospective of the great Robert Rauschenberg includes a paint-bespattered, fully made-up bed hung vertically on the wall, and called – you guessed – Bed,1955 (pictured below right). Read more... |
Painters’ Painters, Saatchi GalleryMonday, 05 December 2016
The nine artists in this exhibition mainly paint large, eye-catching canvases; yet the most arresting image on show is a tiny, rather tentative picture of an unprepossessing man with yellow hair. It is hard to say why Richard Aldrich’s ethereal Future Portrait no 49, 2003 (main picture) is so compelling. Read more... |
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