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Road Diary: Bruce Springsteen and the E Street Band, Disney+ review - the Boss grows older defiantly
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disc of the day
Album: Willie Nelson - Last Leaf on the Tree
The 91-year-old’s 153rd album is more than a farewell to arms – it’s a late-career classic
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
tv
Thom Zimny's film reels in 50 years of New Jersey's most famous export
Third season of the tale of investment bankers reaches a satisfying climax
film
Sean Baker's bracing Palme d'Or winner twists, turns, and makes a star of Mikey Madison
Steve McQueen's overwought World War Two boy's adventure film delivers its message
new music
The 91-year-old’s 153rd album is more than a farewell to arms – it’s a late-career classic
classical
Vibrant rendering filled with passion and delight
Kahchun Wong takes Manchester audience on an epic journey
opera
More tragic than gimmicky, this classic staging can still succeed
Donizetti triumphs, with help from Bernstein, Rossini, two stars and director Orpha Phelan
theatre
Rajiv Joseph’s play pitting beauty against duty gets an impressive staging
Hanif Kureishi classic gets a compulsively comic makeover from Emma Rice
dance
An all-too-fleeting celebration of black and brown ballet talent that demands a reprise
Pam Tanowitz's latest piece is a stunner that larkily subverts the rules
comedy
Comic skilfully melds a personal story with sharp social commentary
Kiwi comic on dating, phone apps and Taylor Swift
Books
Political satire, social observation and literary artifice elevate this ostensibly 'cosy crime' caper
In time for Halloween, the author discusses 'Feeding the Monster' - and why she thinks horror cinema has entered a new phase
visual arts
A variation of styles as the Bloomsbury artist breaks free from Victorian mores
Two artists, 50 years apart, invite audience participation
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