wed 08/05/2024

Classical Reviews

Borletti-Buitoni Trust 20th Anniversary Weekend, Bold Tendencies, Wigmore Hall review - dazzling past, present and future

David Nice

Founded two decades ago by Franco Buitoni and his wife Ilaria in league with their good friend Mitsuko Uchida, the Borletti-Buitoni Trust never seems to put a foot wrong in its choices: the present and future are as dazzling as the last 20 years. As well as giving generous long-term support to over 200 artists and groups, BBT commissions new works – more than 50 to date – and has set up a Communities wing "to encourage social cohesion".

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Elgar Oratorios, Hallé, Elder, Bridgewater Hall, Manchester review - a landmark in music making

Robert Beale

Sir Mark Elder has a special affection for the music of Elgar. They share a birthday, on 2 June, and his time with the Hallé has included more than one celebration of the composer at this time of year.

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Bezuidenhout, The English Concert, St Martin-in-the-Fields review - Mozart spring-cleaned

Boyd Tonkin

An evening of Mozart favourites in a landmark church on a sunny evening: that might suggest a perfect recipe for gently soporific tourist entertainment. Thankfully, not in the hands of Kristian Bezuidenhout and the English Concert. At St Martin-in-the-Fields, the South African-born Australian virtuoso of the period keyboard joined the Baroque orchestral powerhouse with which he collaborates as principal guest.

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Handel for the King, Le Concert Spirituel, Niquet, Wigmore Hall at St James's Spanish Place review - post-coronation celebrations

David Nice

Union Jacks could be stowed away, and EU ones figuratively, furtively flourished: this was a concert of celebratory music for a Hanoverian king by a Saxon composer, by then recently become a British citizen, performed by a French ensemble in a Roman Catholic church which once served the Spanish Embassy. The present King, having already made a start repairing Britain’s damaged reputation on the continent by speaking German in Berlin, surely approved.

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Concert Theatre DSCH, Norwegian CO, Oslo Opera House Scene 2 review - Shostakovich choreographed for strings and accordion

David Nice

Do we really need instrumental Shostakovich with lighting, movement, costumes and video projection? I might have said no before having seen what the Norwegian Chamber Orchestra could do with former leader Terje Tønnesen, performing the Chamber Symphony by heart in dramatic style. It seemed likely that memorizing even more music under new Artistic Director Pekka Kuusisto, and performing it in an insanely demanding dramatic framework, with no word spoken, could work.

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Jerusalem Quartet, Wigmore Hall review - singing to make the heart leap

David Nice

Conversation just before this concert started concerned Verdi’s Il trovatore and the truism that it needs “the four greatest voices in the world”. Whether or not the quartets we heard by Mozart, Prokofiev and Brahms demand the same in string terms, they all hit breathtaking levels of humanity, thanks to the singing interaction of the Jerusalems, the peerless chamber music equivalent of the Berlin Philharmonic.

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Requiem, Opera North review - partnership and diversity

Robert Beale

Innovation is always a risky business. Opera North’s vision and ambition for this production is to create, in effect, a new genre: a combination of staged choral-orchestral performance with contemporary dance.

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Benedetti, Kanneh-Mason, Grosvenor, RSNO, Søndergård, Usher Hall, Edinburgh review - gorgeous textures, starry soloists

Simon Thompson

What’s better than having a star soloist on the billing for a concert? Three star soloists! The Royal Scottish National Orchestra billed this concert as its “All Star Gala”, and that’s more than just a shrewd marketing move (though it was that: this was the busiest audience they’ve had all season).

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Douglas, Estonian NSO, Elts, Cadogan Hall review - perfect ebb and flow from conductor and pianist

David Nice

Until last night, I’d only heard the Estonian National Symphony Orchestra (ERSO at home, “Riiklik” standing for “National”) live in unfamiliar contemporary epics, with Kristiina Poska and Anu Tali respectively conducting Lepo Sumera’s Fourth and Sixth Symphonies, and Olari Elts just before his 2020 appointment as Music Director championing an Erkki-Sven Tüür triptych. This was a test of how they'd fare in more familiar repertoire. They passed with flying colours.

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theartsdesk at the Sheffield Chamber Music Festival - romps and meditations at the highest level

David Nice

Any chamber music festival that kicks off with Czech genius Martinů's Parisian jeu d'esprit ballet-sextet La revue de cuisine and ends its first concert with Saint-Saëns's glory of a Septet for trumpet, piano and strings is likely to be a winner.

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