Classical Reviews
Kings Place FestivalTuesday, 17 September 2013
Hungarian composer Bela Bartók’s analytical rigour and folk-inspired voice have established his position as one of the most original voices of the twentieth century, but he still represented a bold choice for the opening event of the 2013 Kings Place Festival. Read more... |
Classical CDs Weekly: Britten, Vaughan Williams, SuperbrassSaturday, 14 September 2013
Britten: Peter Grimes Alan Oke, Giselle Allen, Britten-Pears Orchestra, Chorus of Opera North/Steuart Bedford (Signum) Read more... |
Sound of Cinema: The Music that Made the Movies, BBC FourFriday, 13 September 2013
BBC Four’s new series Sound of Cinema: The Music that Made the Movies is shocking. The overwhelming majority of arts-based TV consists of programmes consigning specialist knowledge/presenters to the sidelines in favour of dumbed-down, easily digestible generalisations mouthed by all-purpose TV-friendly faces. But this three-part series is fronted by, gasp, a composer who uses insider knowledge to hook and hold the viewers. Read more... |
Anne Schwanewilms, Roger Vignoles, Wigmore HallTuesday, 10 September 2013
So we glide between seasons from one communicative diva giving her all in a vast space to another casting spells in intimate surroundings. While Joyce DiDonato, not perhaps one of the world’s great voices but certainly a great performer, was captivating the Proms multitudes on Saturday night, the Wigmore Hall’s concert year sidled in with Bryn Terfel and Simon Keenlyside, no low-key singers. Read more... |
The Last Night of the Proms, Kennedy, DiDonato, BBCSO, AlsopSunday, 08 September 2013
As it came to pass, Marin Alsop’s nationality was rather more of a factor than her gender on this historic Last Night of the Proms – but her deft put-down of remarks made only the week before (pace Petrenko) suggested that it might take a little more time (it’s only 2013, for heaven’s sake) for that glass ceiling truly to come crashing down and for her and others like her to be regarded as simply “conductors”. Read more... |
Prom 74: Sonnleitner, Vienna Philharmonic Orchestra, MaazelSaturday, 07 September 2013
Tradition used to decree that the last Friday Prom would be devoted to worshipping Beethoven’s Choral Symphony. Not so today. Anything deemed serious and big occupies the slot, and if Bruckner’s Eighth Symphony isn’t serious and big, what do you want? A 40-tonne truck? Read more... |
Classical CDs Weekly: Debussy, Goldmark, Ravel, Martynas LevickisSaturday, 07 September 2013
Goldmark: Rustic Wedding Symphony, Symphony No 2 Singapore Symphony Orchestra/Lan Shui (BIS) Read more... |
Prom 73: Imogen Cooper, Paul LewisFriday, 06 September 2013
It’s not because I lament the annual end of a love-hate relationship with the Albert Hall that the last few days of Proms feel rather melancholy. A bittersweetness lies rather in the drawing-in of evenings, however hot it is, so late night Schubert for one and then two pianos seemed like an appropriately introspective way of saying farewell this year. Read more... |
Prom 72: Calleja, Orchestra Sinfonica di Milano Giuseppe Verdi, ZhangFriday, 06 September 2013
It was too little too late to redress the scant attention gives to Verdi’s bicentenary at this year’s Proms but the “Maltese Tenor” – Joseph Calleja – arrived with an eleventh hour offering of low-key Verdi arias and joining him was the Milanese orchestra bearing the composer’s name. Calleja’s growing legions of fans were much in evidence, of course, more Maltese than Italian flags, but what can they have made of the music stand which came between them and their hero? Read more... |
Prom 70: BBC Singers, Temple Church Choir, HillWednesday, 04 September 2013
Purity and holiness filled the air. Boy choristers in red cassocks filed onto the platform. The BBC announcer, paraded soon after, promised “choral music to carry us into the after life”. Had I come to the right place? Was I attending my own funeral service? Read more... |
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