Classical Reviews
The Chaos Orchestra presents 'The Rite', The VortexThursday, 24 October 2013
Still only a year out of college, the diversely gifted trumpeter, composer and bandleader Laura Jurd has risen rapidly to prominence, enterprisingly bypassing the ritual of hanging around to be noticed by creating her own scene and ensembles. One of these, the Chaos Collective, this week curated a small festival in which another, the Chaos Orchestra, last night performed a range of new work. Read more... |
Brahms Cycle 1: Kavakos, Dindo, Leipzig Gewandhaus Orchestra, Chailly, BarbicanWednesday, 23 October 2013
For the Leipzig Gewandhaus Orchestra’s second residency at the Barbican Centre Riccardo Chailly pulled focus on an entirely new sounding Brahms. Gone were all those bad performance practices, bad habits, from the early 20th century, gone was the lingering romanticism, the willful soupiness, and in with a vengeance came a classical rigour, a lean and hungry vitality. Read more... |
Kraggerud, Stuttgart Radio Symphony Orchestra, Denève, Leeds Town HallSunday, 20 October 2013
I’d not previously identified much comedic potential in Mahler’s gargantuan Sixth Symphony, a piece which would feature prominently in many people’s lists of most depressing works. Which presumably explains why this astonishing concert wasn’t a sell-out, and why the prevailing gloom prompted a fair few audience members to make an intrusive dash for the exit before the double basses sounded their final pizzicato. Read more... |
Classical CDs Weekly: Brahms, Shostakovich, TchaikovskySaturday, 19 October 2013
|
BBC Singers, Endymion, Hill, Milton CourtWednesday, 16 October 2013
Milton Court’s new concert hall is a mighty small space, but the BBC Singers under their chief conductor David Hill were determined to launch their residency there with a musical epic of world events from Genesis to the post-nuclear era. And they carried it off triumphantly, if with some ear-singeing resonances, in American works from the last 66 years ringing with bright tonalities. Read more... |
War Requiem, LPO and Choir, Jurowski, Royal Festival HallSunday, 13 October 2013
Britten’s innate theatricality shines through every single bar of his War Requiem. Atmosphere, drama, suspense, and high emotionalism are to a greater or lesser degree written into the piece (something which the naysayers always latch on to). Read more... |
Classical CDs Weekly, Sean Hickey, Lang Lang, Piers LaneSaturday, 12 October 2013
|
Toby Spence, Julian Milford, Wigmore HallSaturday, 12 October 2013
Toby Spence’s recovery from thyroid cancer is a cause for rejoicing, but surely it’s time we focused our attention back on his work rather than his medical condition? Apparently not. The pre-publicity for this Wigmore Hall recital made great play of the “profound insights into the human condition” that the singer acquired during his convalescence – a claim that must have ladled extra pressure onto him as he prepared his programme. Read more... |
L'Arpeggiata, Wigmore HallFriday, 11 October 2013
L’Arpeggiata are everything that crossover should be and everything that this arranged marriage of genres so often isn’t. The work of lutenist Christina Pluhar and her band of period musicians is organic and authentic, a blend of musics that amplify and enrich one another, a conversation between friends and equals. Read more... |
Stockhausen/Nono, Royal Festival HallMonday, 07 October 2013
There’s been a lot of backslapping over the success (so far) of The Rest is Noise festival, the Southbank’s year-long trawl through the music of the 20th century. They’re particularly pleased about the numbers of ignorant musical souls they’ve managed to convert over the past half a year. Read more... |
Brahms Beloved: Symphonies 2 & 4, Clara Schumann Lieder Orchestra Sinfonica di Milano Giuseppe Verdi/John Axelrod, with Indra Thomas, Nicole Cabelle (sopranos) (Telarc)Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Maria review - Pablo Larraín's haunting portrait of an...
As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary...
Babygirl review - would-be steamy drama that only flirts wit...
Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from ...
It's Raining Men review - frothy French comedy avoids d...
Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (...
Album: Bridget Hayden and The Apparitions - Cold Blows The R...
The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse....
A Real Pain review - Jesse Eisenberg and Kieran Culkin take...
Jesse Eisenberg's first film as writer/director...
Blu-ray: The Hop-Pickers
Czech theatre theorist Ivo Osolsobě’s tick-list for what constitutes an "authentic" musical is quoted in this release’s booklet. Namely that the...
Liepe, National Youth Orchestra of Ireland, Cottis, NCH, Dub...
There’s nothing like an anodyne new(ish) work to give a masterpiece an even higher profile. Rachel Portman‘s Tipping Points, promising to...
Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwa...
A gem for me this year has been the collaborative project between the veteran minimalist composer Chihei Hatakeyama and jazz...