thu 28/08/2025

Classical Reviews

BBC Proms: Les 24 Violons du Roy/L'Arpeggiata

alexandra Coghlan

It’s not quite 76 trombones, but back in 1570 24 violins were the height of sophistication and innovation at the French court. While in England we still persisted with our viols and gambas, in France the new vogue for the violin had travelled from Italy and the King ordered a full string orchestra’s-worth for his entertainment.

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BBC Proms: Aldeburgh World Orchestra, Elder

alexandra Coghlan

Formed especially for the London 2012 Festival, the Aldeburgh World Orchestra does what it says on the tin: bringing together talented young musicians from across the world in a single youth orchestra.

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BBC Proms: West-Eastern Divan Orchestra, Barenboim (Concert Five)/ Members of the West–Eastern Divan Orchestra, Roth

Igor Toronyi-Lalic

And so we came to the Ninth. But wasn't it meant to be the only work on the programme? Why then was I hearing Boulez? A mishap: the final movement saw the quartet of soloists fall apart so comprehensively that, momentarily, it began to sound like they'd slipped into some unscheduled Modernism. We should be so lucky.

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BBC Proms: West-Eastern Divan Orchestra, Barenboim (Concert Four)/ Kronos Quartet

Igor Toronyi-Lalic

Much has been written about how old-fashioned Daniel Barenboim's Beethoven cycle feels. Yet what can seem backward-looking is in fact a perfect reflection of Barenboim's personality. Each and every symphony appears with a swagger in its step and a cigar in its mouth. Last night's instalment - taking us to the Seventh and Eighth Symphonies - was no different.

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BBC Proms: West-Eastern Divan Orchestra, Barenboim (Concert 3)

alexandra Coghlan

We’ve had more than our fair share of Beethoven symphonies in London recently. But with the Proms’s monolithic Daniel Barenboim cycle now midway through, memories of Riccardo Chailly and John Eliot Gardiner are being steadily blotted out. Gone are the frisky tempos, the lightness of touch, and in their place we’re being reintroduced to Beethoven the heavyweight.

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BBC Proms: Les Troyens, Royal Opera House Orchestra, Pappano

Charlotte Gardner

Last night's concert performance of Berlioz's Les Troyens was not a Prom for the fainthearted. After all, if sitting through a five-hour opera had been a daunting undertaking for the Covent Garden audiences last month - who could also enjoy David McVicar's eye-catching staging - then it was inevitable that anyone seated in the Royal Albert Hall for the visually pared-down version was expecting to feel very culturally virtuous by the end of the night.

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BBC Proms: West-Eastern Divan Orchestra, Barenboim (Concert 1)

Igor Toronyi-Lalic

Last night was meant to be a celebration of Beethoven and Barenboim. But we had a gatecrasher. And at the opening concert of the first cycle of the Beethoven symphonies at the Proms for 60 years, the name on everyone's lips was neither Beethoven nor Daniel Barenboim, but that of Pierre Boulez.

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Classical CDs Weekly: Nielsen, Tchaikovsky, Reiko Fujisawa, The Dublin Drag Orchestra

graham Rickson

 

Bach, Beethoven, Schubert Reiko Fujisawa (piano) (Quartz)

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BBC Proms: Cooper, Juilliard Orchestra, RAM Orchestra, Adams

Geoff Brown

One top student orchestra playing on its own can be exciting enough. Two playing together can produce a charge of dynamite that might not leave the building standing.

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BBC Proms: Pelléas et Mélisande, Orchestre Révolutionnaire et Romantique, Gardiner

Igor Toronyi-Lalic

How silly an armchair looks in the Royal Albert Hall - like a rubber duck floating in the Pacific. Yet how right it was for those behind this excellent semi- staged Proms performance of Debussy's Pelléas et Mélisande to try to recreate a bit of fin-de-siècle intimacy for this most intensely intimate of operas. And how appropriate also for there to be a couch on stage in a work that is, and has always been, a psychoanalyst's dream.

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