tue 26/08/2025

Classical Reviews

London Philharmonic Orchestra, Jurowski, Royal Festival Hall

David Nice

What, another review of an LPO/Jurowski concert in less than a week? Reasoning the need, it only has to be said that other orchestras may kick off their seasons by mixing the unfamiliar with core repertoire, but none would dare launch with not one but two programmes featuring this only-connect kind of singularity (and more to come in the “War and Peace” series next week).

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Classical CDs Weekly: Frank Bridge, Benjamin Grosvenor, Tchaikovsky

graham Rickson

 

Frank Bridge: Orchestral Works BBC National Orchestra of Wales/Richard Hickox (Chandos)

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London Philharmonic Orchestra, Jurowski, Royal Festival Hall

David Nice

Dissatisfied housewives who eventually stand by their men joined jewelled hands in a divine evening of operatic decadence. Suppressed Bianca all but steps over the body of her strangled lover to get at the muscles of her killer husband in Zemlinsky’s A Florentine Tragedy, taking its cue from the deep purple imagery of Oscar Wilde’s story.

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Stewart Lee presents John Cage's Indeterminacy, Cafe OTO

joe Muggs

John Cage is funny: this much we know. The deadpan prankster at the heart of 20th-century artistic experimentalism was always about the inadvertent punchline, the chuckle that comes from unexpected disjunction, the relief that comes from reminders of the absurdity of reality, as much as he was ever about any engagement with progress, technology, the transcendent.

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Jansen, London Symphony Orchestra, Gergiev, Barbican

Igor Toronyi-Lalic

Janine Jansen had every right to be nervous. The last time most of us saw the London Symphony Orchestra the audience spent the whole time laughing at their star soloist. But then Mr Bean has a very different skill set to Jansen. She's able to journey with silken smoothness across the musical stratosphere for what seems like eternity. He's able to blow his nose while playing the piano with the end of an umbrella.

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Henry, RLPO, Petrenko, Philharmonic Hall, Liverpool

Glyn Môn Hughes

The prospect of a new concerto from a largely unknown composer who, it’s safe to say, had never been performed previously in Liverpool may have seemed a little daunting. By the end of the 22-minute world premiere, however, rapturous applause greeted this approachable, tuneful, understated and, above all, gentle work. This was so much the case that it will no doubt be heard again soon.

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Classical CDs Weekly: William Barton, William Lawes, Bernard Weinstock

graham Rickson

 

Kalkadungu: Music for didjeridu and orchestra William Barton (didjeridu) (ABC Classics)

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Tetzlaff, Wigmore Hall

alexandra Coghlan

When you hear Christian Tetzlaff play you hear Brahms, or Beethoven or, in this case, Bach. What you don’t hear a lot of is Tetzlaff himself. I mean that in the best possible way – so willing is the violinist to submerge himself, to set aside ego and agenda.

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The Leeds International Piano Competition finals, Leeds Town Hall

graham Rickson

Fans of the Leeds International Piano Competition argue that this triennial event, now in its 49th year, has done more to raise the city’s profile than any other local institution. Supporters of Leeds United would doubtless disagree, but Dame Fanny Waterman’s long-running contest has grown into an influential, internationally renowned affair. Dame Janet Baker awards the prizes. Lang Lang is now the competition’s Global Ambassador along with Honorary Ambassador Aung San Suu Kyi.

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The Last Night of the Proms, Benedetti, Calleja, BBCSO, Bělohlávek

Jasper Rees

The BBC Symphony Chorus did a mass Mobot. A posse of medal-winning rowers and sailors led the encore of Rule, Britannia. The Maltese tenor Joseph Calleja entered in Team GB trackies. It has been, we can probably agree, a summer unlike others we have known. Every year the Last Night of the Proms celebrates Britishness as if we’ve won a stack of golds and wowed the world, when mostly – these no longer being the 1890s - we haven’t.

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