Classical Reviews
Richard Goode, Royal Festival Hall (2012)Monday, 13 February 2012
You couldn't imagine a less likely acrobat than avuncular American Richard Goode. But when it comes to the piano, there's no mistaking it. A nippy little tumbler he undoubtedly is. Today we saw his fingers bounce about the keyboard like a troupe of prepubescent Romanian gymnasts. The sleepy Sunday concert that many had clearly hoped for was not going to be the narrative of this kinetic performance. Read more... |
Hough, London Philharmonic Orchestra, Alsop, Royal Festival HallThursday, 09 February 2012
Poor old Stephen Hough. The Liszt double. Again! Was he not at all Liszted out after last year's epic bicentenary? Were we not Liszted out by last year's epic bicentenary? Hough has been living, breathing and eating these two pieces for the past year and a half. The familiarity might have bred contempt. Amazingly it hasn't. In fact, all the prep work of last year appeared to make this performance of the first two piano concertos one of the most satisfying I've heard. Read more... |
Hughes, BBC Philharmonic, Gruber, Bridgewater Hall, ManchesterSaturday, 04 February 2012
“The north wind doth blow and we shall have snow.” And how! The BBC Phil’s composer/conductor H K “Nali” Gruber could not have timed the UK premiere of his Northwind Pictures better. We were ready targets for his shattering evocation of the wind with every device at the percussionists’ disposal and a large hand-cranked wind machine. The boys in the back row had a great night out. Read more... |
Jansen, London Philharmonic Orchestra, Nézet-Séguin, Royal Festival HallThursday, 02 February 2012
At last, a bag of sweets! In earlier concerts from Vladimir Jurowski’s LPO series Prokofiev: Man of the People? much time was spent consuming the composer’s flat soufflés, experimental rock cakes, or the fancy dish that was really haddock. Interesting for the brain, maybe, but the diet on occasion has been hard on the stomach. Not that any of this impinged on audience numbers: the season has definitely proved Jurowski’s happy lock on the London Philharmonic’s audiences. Read more... |
Kavakos, Ax, Wigmore HallThursday, 02 February 2012
The roar with which Leonidas Kavakos and Emanuel Ax dispatched Beethoven’s mighty Op. 30 C minor Violin Sonata – flinging off the writhing semiquaver coils of the Finale with desperate vigour – was enough to remind anyone in the Wigmore Hall last night of the serious talent of this Greek violinist. It was not however quite enough to banish the memory of the evening’s whimpering start – the ragged gesture in the general direction of the Violin Sonata in A Op. 12 No. Read more... |
Fleisher, London Philharmonic Orchestra, Jurowski, Royal Festival HallThursday, 26 January 2012
The London Philharmonic’s current festival – Prokofiev: Man of the People? – is all about the question mark. While the festival’s concerts, lectures and even its classical club-night each make their own statement, the overarching spirit here is one of exploration, of questioning. Jurowski and his orchestra are peeling back the composer’s grinning modernist mask and attempting to expose the human face (or possibly faces) behind it. Read more... |
Blaumane, Royal College of Music Symphony Orchestra, Jurowski, Royal College of MusicSunday, 22 January 2012
How do you solve a problem like Prokofiev? Not with a TV talent hunt promoted by Andrew Lloyd Webber. Not even, I’m beginning to think, with the current London Philharmonic concert series, Prokofiev: Man of the People?, devised by Vladimir Jurowski. Read more... |
Spence, London Symphony Orchestra, Adès, Barbican HallMonday, 16 January 2012
Last Tuesday night saw the London Symphony Orchestra celebrating 20th century English music under the baton of Antonio Pappano, launching proceedings with a stylish (and more than a little sexy) rendition of the dance suite from Thomas Adès’ Powder Her Face. Read more... |
Dido and Aeneas/ Actéon, Wigmore HallFriday, 13 January 2012
The Wigmore Hall staged its own Entente Cordiale last night with an operatic double bill bridging both sides of the Channel. Read more... |
2011: Reality 1, Art 0Monday, 02 January 2012
We laughed. We cried. We cursed. We gulped. Not at fiction. But at fact. At the real world. The year's best theatre? Murdoch vs Watson. Thriller? The hunt for Osama. Horror? Read more... |
Pages
inside classical music
latest in today
Joan, ITV1 review - the roller-coaster career of a 1980s jew...
If you’re looking for an advertisement for how crime doesn’t pay, Joan will do very nicely....
National Ballet of Canada, Sadler's Wells review - see...
What to expect of the National Ballet of Canada since its last...
Lear, Barbican Theatre review - a very stormy saga, Korean-s...
What do the cult TV show Squid Game and National Changgeuk Company of Korea’s Lear have in common? Oddly, a K-Pop...
Album: Goat - Goat
With the Pagan festival of Mabon and the Autumnal Equinox only just past us, it seems appropriate for Scandi psychedelic rockers, Goat to provide...
Monet and London, Courtauld Gallery review - utterly sublime...
In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond...
Joker: Folie à Deux review - supervillainy laid low
“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing...
A Tupperware of Ashes, National Theatre review - family and...
Queenie is in trouble. Bad trouble. For about a year now, this 68-year-old Indian woman has been forgetful. Losing her car keys; burning rice in...
First Person: conductor Robert Hollingworth on a four-choir...
I’m sitting in a café in Kraców, Poland, rehearsals finished for the resurrection of a mass setting written nearly 400 years ago in...
The Battle for Lakipia review - why post-colonial Kenya is a...
The Battle for Lakipia is a beautifully filmed and thoughtfully directed documentary that was made over a two-year period. Its focus is...
Album: Coldplay - Moon Music
From the very first chords of "Yellow" in 2000, Coldplay have been an ever present at the summit of popular music's hierarchy. Their uncanny knack...