Meg 2: The Trench review - into the jaws of tedium

Turgid pacing mars Jason Statham's return to the deep

share this article

Open wide: Jason Statham in 'Meg 2: The Trench'
Warner Bros.

Big bitey sharks and prehistoric monsters have tantalised the imaginations of summer moviegoers for decades, from Jules Verne to Jaws. James Cameron’s Avatar 2: The Way of Water and the director’s recent scientific commentary on the OceanGate submersible disaster also serve to underline the public fascination with the dangerous deep.

Alas, Meg 2: The Trench, based, like its predecessor, on Steve Alten’s hit novels about hungry megasharks, bellyflops and bores. Too bad, because leading man Jason Statham can be a most droll and reliable hero even when the movie around him becomes defiantly silly.

After a jaunty prologue set in the Cretaceous era, in which assorted prehistoric creatures become fast food for ferocious predators (including a Megalodon shark), Meg 2: The Trench turns turgid, returning to the futuristic sealab setting of the first movie.

The top scientist (Wu Jin) envisions exploration (exploitation?) of the sea floor, while Statham’s ecowarrior character hunts ocean polluters. Then his teenage stepdaughter (Sophia Cai, pictured above) stows away on a deep sea mission gone wrong, and the explorers must don absurdly clunky looking metal suits to trudge their way to safety. It’s one of the slowest, murkiest escape sequences ever put on film.

Director Ben Wheatley saves some fun for the movie’s last half hour, when agitated megalodons, octopi, and other dino-things pursue our heroes to a fancy South Asian resort delightfully named Fun Island. By the time Statham rigs a few explosive harpoons and goes tearing after the Megs on a Waverunner, moviegoers may be too exhausted to cheer. Even Statham, athletic and poised as he is, seems a bit weary, too.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
It’s one of the slowest, murkiest escape sequences ever put on film

rating

1

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more film

Dip your toes into these Homeric movies before Christopher Nolan’s 'The Odyssey' ties us to its mast
A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary
David Vann's acclaimed novella transposed to the screen with mixed results
The most important 'how-to video' you are ever likely to see
Satyajit Ray's poignant, thoughtful drama, set in 1960s Calcutta
Superman's party girl cousin earns her stripes underwhelmingly
Convoluted drama takes on Fab Four delusions, brotherly trauma and ultraviolence
Sophy Romvari's atmospheric first feature looks back at a tortured family dynamic