New Music Reviews
Eliane Elias, Ronnie Scott'sSunday, 10 April 2016
Masterly improvising, outstanding compositions, a complete understanding between the musicians. On every count this was an exceptional set, as emotionally engaging as it was lovingly delivered. Read more... |
theartsdesk in Estonia: Tallinn Music Week 2016Sunday, 10 April 2016
“If we want to keep this free and democratic Europe of ours free and democratic, we must enlist ourselves, our skills and our commitment to liberty and justice. The problems we face are too great to simply say let the politicians do it. Read more... |
Reissue CDs Weekly: HauschkaSunday, 10 April 2016
Turn the clock back to early 2007. It’s not so long ago, but at this point Nils Frahm had issued just one album, Ólafur Arnalds was about to release his first, Jóhann Jóhannsson was one year into what would be two-album relationship with 4AD, and Max Richter had made two albums for 130701, the British offshoot of FatCat Records. Christian Wallumrød was performing solo, but still recording collaboratively. Read more... |
CD: Rodion – GeneratorThursday, 07 April 2016
Before the resurgence in vinyl, and the resultant pursuit of audiophile perfection on pointlessly expensive sound systems, was the musician’s fetish for vintage equipment and analogue synths. Live, this makes sense: sounds go direct into the audience's ear, air its only conduit. Read more... |
Exhibitionism, Saatchi GalleryWednesday, 06 April 2016
The Stones may have got the free festival thing right at last, returning triumphant from playing to around a million Cubans in Havana on Good Friday, and the world generally marvels more and mocks less the longevity of the band and the age of its original inhabitants. With a fresh batch of sold-out tours and new music apparently in the can, it would be churlish to deny them the self-pleasuring they reward themselves by mounting Exhibitionism at the Saatchi Gallery. Read more... |
Gregory Porter, Royal Albert HallTuesday, 05 April 2016
Gregory Porter’s singing pedigree is impeccable. With a performing history in the American Church of God in Christ, where his mother was a minister, honed by several years before his breakthrough living in hipster-jazz heaven Brooklyn, and performing Off-Broadway, he’s in many ways the ultimate heritage act. Read more... |
Reissue CDs Weekly: Fela Ransome-Kuti and His Koola LobitosSunday, 03 April 2016
Is greatness there from day one, does it evolve or suddenly strike? Do artists – in any discipline – develop in steps or arrive fully-formed? How does the quotidian become exceptional? With the new triple-CD set Highlife-Jazz and Afro-Soul (1963-1969), the man who would be dubbed the Black President has what amounts to 39 musical baby pictures made easily available for the first time. Read more... |
Reissue CDs Weekly: James Chance aka James WhiteSunday, 27 March 2016
According to the May 1979 issue of the New York art-paper East Village Eye, James White “is treated [everywhere] with awe and the special consideration lacking in most people's lives.” The adoration was boundless. White is “the star, the proof of the divinity that can be had by those who strive for a life beyond the schemes of men, James White is not an animal creature, James White is one of the breed called God in older times.” Read more... |
Clint Mansell, Royal Festival HallFriday, 25 March 2016
Although this evening began with an introduction by film director Ben Wheatley (responsible for Clint Mansell’s latest soundtrack commission, High-Rise), Mansell’s most frequent collaborator has been Darren Aronofsky. Among the movies they’ve fashioned together is 2014’s Noah, the music from which provided tonight’s opening salvo. Read more... |
theartsdesk on Vinyl: Volume 15 - Saxon, Bernard Herrmann and much moreThursday, 24 March 2016
Vinyl now accounts for almost 6% of the money made from music distribution, more than is accrued through free ad-backed streaming services. In the US last year vinyl sales rose to $416 million. Clearly these sort of figures are no threat to the likes of Spotify but then, there is no need for them to be. The fact is that vinyl is re-established as a boutique format and, culturally, its desirability is reaching a peak. Dismiss this as trendiness at your peril. Read more... |
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