sun 27/07/2025

New Music Reviews

Reissue CDs Weekly: Lou Adler

Kieron Tyler

 

Lou Adler – A Musical HistoryVarious Artists: Lou Adler – A Musical History

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Reissue CDs Weekly: Jane Birkin, Françoise Hardy

Kieron Tyler


ane birkin mes images privees de sergeJane Birkin: Mes Images Privées de Serge / Françoise Hardy: Message Personnel

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Tord Gustavsen Quartet, Milton Court

Matthew Wright

Revelling in the acoustic precision of the recently opened Milton Court concert hall last night, Norwegian pianist Tord Gustavsen showed once more why his quartet’s combination of tersely lyrical melodies and syncopated rhythms is so appealing.

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Reissue CDs Weekly: Tyrannosaurus Rex, T. Rex

Kieron Tyler


Tyrannosaurus Rex A Beard of StarsTyrannosaurus Rex: A Beard of Stars/T.Rex: T.Rex, Tanx/Marc Bolan & T. Rex: Zinc Alloy and the Hidden Riders of Tomorrow

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The Stranglers, Brighton Dome

Thomas H Green

There was a poignant moment last night as the Stranglers performed the song “Never To Look Back”. It hails from their 1990 album, 10, the last to feature singer Hugh Cornwall heading their original line-up. Behind the band, four giant gilt frames flash a slide-show of their career. We see them, all lean black leather and venom, transform slowly into the band before us, a greying, likeable, punk-adelic war-horse.

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Bastille, Alexandra Palace

Matthew Wright

Bastille didn’t so much raise the roof at Alexandra Palace last night, as ask it politely if it wouldn’t mind elevating itself a touch. Their gentleness belies their success over the past year, since their first album, Bad Blood, was released. The album, most of which they played last night, is characterised by surging melody, sexlessly tumescent choruses, marching band drum solos, string parts as glossy as nail varnish, and cascading synth lines.

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Marc Almond, John Harle, The Tyburn Tree, Barbican

Peter Culshaw

On paper this sounded promising: a gothicky song-cycle of historical London and the dark, seamy side of the city, performed a stone’s throw from where they do Jack the Ripper tours. Lead performers were Marc Almond, whose distinctive voice we have loved for 30 years, ever since his pervy soul debut with Soft Cell, and John Harle, a more than useful jazzy classicist who is often original and known for his TV theme tunes. Thown in the mix was some Iain Sinclair psycho-geography.

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Beyoncé, O2 Arena

Thomas H Green

Beyoncé is a fascinating tangle of mixed messages. She stirs people up and, most especially, she confuses men. On the train back from the first concert of her six-night stand at the O2 a group of blokes who heard we’d been to see her rabidly objected. She was, they said, just “selling her pussy”, and selling it cheap. Ire roused, they became very heated.

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Ralph Towner and Egberto Gismonti, Barbican

Matthew Wright

The Barbican brought two of the great originals of contemporary music together last night. Ralph Towner and Egberto Gismonti are temperamentally very different, but complement one another wonderfully, in an inspired piece of programming. Both are stylistically polyglot, straddling contemporary classical technique as well as jazz and, in Gismonti’s case especially, a range of folk idioms.

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Limp Bizkit and Friends, 02 Academy, Brixton

Russ Coffey

Other than for die-hard fans, expectations for this Limp Bizkit tour have been, well, pretty limp. Nu-metal has been on the wane for years, and Limp Bizkit have aged the worst. Small wonder: surely even hardened metal fans must raise their eyebrows at a 43-year-old in a red baseball cap telling us to go fuck ourselves, whilst he takes our bitches (as Fred Durst does on the new single). So, if Limp Bizkit are a spent force, who goes to their concerts these days; and what exactly goes on?

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