fri 01/08/2025

New Music Reviews

Being N-Dubz, Channel 4

joe Muggs Dappy, Tulisa and Fazer: oddly charming

Tulisa, Dappy and Fazer of North London pop phenomenon N-Dubz – or, if you prefer, Tula Constavlos, her cousin Dino Constavlos and their schoolfriend Richard Rawson – are easy to mock, and Channel 4 know it. The first episode of this showbiz slice-of-life documentary about the ebullient trio is so slathered with the kind of hideously knowing upper-middle-class arched-eybrow voiceover that characterises the whole of the channel's T4 youth programming strand that you have to wonder if they...

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Singles & Downloads 6

Thomas H Green Wiley, master of both grime and pop

Wiley, Electric Boogaloo (Back Yard)

Erratic and spiky where his old mucker Dizzee Rascal has been slick and unerring in his rise to the top, East Londoner Richard "Wiley" Cowie has managed several massive pop-dance hits while remaining thoroughly entangled in the edgier, more aggro grime music scene which he helped to invent. This is very much on the pop-dance side of his output, with every mid-1990s club-energising trick in the book thrown into the...

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theartsdesk at Sónar festival, Barcelona

joe Muggs Local Catalan band Bradien hold their own among the international avant garde

In retrospect, deciding on a quick in-and-out trip to the Sónar festival was a slightly silly idea. Not because there was any problem with the event, or with getting there, or because I had any difficulty chucking an all-nighter then making it to my plane at 11am, though. Quite the opposite: it was a silly idea because a small taster of one of the best-organised music festivals I have ever been to could only make me deeply hacked off that I wasn't going to be there for the whole thing.

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Richard Thompson and Loudon Wainwright III, Royal Festival Hall

David Cheal

It takes quite something to be able to hold the attention of a packed Royal Festival Hall with nothing but an acoustic guitar, a piano, and a bunch of songs.

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Richard Thompson, One Thousand Years, Royal Festival Hall

Russ Coffey

Richard Thompson’s appointment as curator of Meltdown 2010 split opinion at theartsdesk. I was one of those who hoped the hoary old maverick would exhilarate with daring new acts. Others feared it would just be a folk-in. In the end the program contained Iranian punk, some folk and a whole lot of Thompson himself. He's offered film scores, a new show, and a collaboration.

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Ed Harcourt, Wilton's Music Hall

Adam Sweeting Multi-layered songwriter Ed Harcourt gives it some Heathcliff

If the audience at Wilton's charmingly archaic music hall were feeling depressed by the bleak comedy of the England "performance" against Algeria, a whirl around the musical block in the company of Ed Harcourt was the perfect antidote. Critics feel compelled to categorise everything, and Harcourt has been compared to all and sundry, from Brian Wilson to Harry Nilsson to Tom Waits. But...

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Steve Winwood: English Soul, BBC Four

Adam Sweeting

Almost like an inverted echo of Stevie Wonder over in Detroit, Little Stevie Winwood was a Brummie teen prodigy who scored an early dose of stardom with the Spencer Davis Group at age 15. Raved over for his amazing soulful vocals and effortless instrumental skills, he went on to form Traffic before joining “supergroup” Blind Faith with Eric Clapton.

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The Duckworth Lewis Method, Queen Elizabeth Hall

Bruce Dessau

There cannot be many famous rock songs that mention cricket. Roy Harper's poetic "When an Old Cricketer Leaves the Crease" springs immediately to mind. And 10cc's "Dreadlock Holiday". And then the trail goes fairly cold. Until 2009, when The Divine Comedy’s Neil Hannon and Tommy Walsh of Pugwash collaborated on their inspired Duckworth Lewis Method concept album.

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BeauSoleil, Queen Elizabeth Hall

David Cheal Custodians of Cajun culture: BeauSoleil

Our story begins in the early 1970s, when a young fiddler from Louisiana named Michael Doucet was making rock music. Then one day he heard a song by Fairport Convention: “Cajun Woman” (from the band’s Unhalfbricking album). He was shocked and delighted that an English group should be taking an interest in a strand of music that seemed to be fading into obscurity. In a sort of Proustian moment, he inhaled the fragrance of “Cajun Woman”, his interest in the music of his native region was...

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Willie Nelson & Family, The Playhouse, Edinburgh

graeme Thomson

A few years ago I wrote a book about Willie Nelson. Keith Richards supplied the introduction – a Kafkaesque saga which deserves a book in itself - during which he opined that Willie had a severe case of “white line fever”. This (for once) had nothing to do with exotic Peruvian powders and everything to do with the odd compulsion that keeps a man in his late seventies on the road for nine months of each year, rattling around the world in a bus while his wife and kids make hay in Hawaii.

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