thu 30/10/2025

New Music Reviews

Brad Mehldau Trio, St George's Bristol review - exquisite intelligence

mark Kidel

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing forms constantly reveal lines of shared thought, explicitly, yet purveying an abiding sense of wonder. Intellect – and there is plenty of that – is matched here with the fire of inspiration and the thrill of constant surprise.

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Ian Leslie: John and Paul - A Love Story in Songs review - help!

John Carvill

Do we need any more Beatles books? The answer is: that’s the wrong question. What we need is more Beatles books that are worth reading. As the musician and music historian Bob Stanley pointed out, in his 2007 review of Jonathan Gould’s Can’t Buy Me Love, probably the best biography of The Beatles to date, “the subject is pretty much inexhaustible if the writer is good enough.”

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Album: BC Camplight - A Sober Conversation

Kieron Tyler

A Sober Conversation is the work of a master songwriter, one who knows how to achieve their goals. As the album’s nine tracks pour from the speakers, comparisons come to mind: 20/20 and Smiley Smile-era Beach Boys, Lindsey Buckingham, the early solo years of Todd Rundgren.

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theartsdesk on Vinyl 91: Sex Pistols, Pink Floyd, Tropical Fuck Storm, Sparks, The Sisters of Mercy and more

Thomas H Green

VINYL OF THE MONTH

Frank From Blue Velvet I Am Frank (Property of the Lost) + Column258 Interloper (The Workshop Sessions, Volume One) (Property of the Lost)

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Music Reissues Weekly: The Sonics - High Time

Kieron Tyler

“Theirs is truly rock in extremis, a précis of the youthful impetuosity and cathartic chaos at the heart of real rock ’n roll.”

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Album: Benson Boone - American Heart

Katie Colombus

I first had a conversation about Benson Boone without realising it was him we were talking about. It went something like: “Did you see that horrifying moment at Coachella when Brian May got onstage with some American guy, and no one knew who he was? HOW DO THEY NOT KNOW?!” We berated youth culture, blinked – and suddenly, Boone had released a second album.

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Patrick Wolf, Rough Trade East review - the Kent-based bard refashions his new album ‘Crying the Neck’

Kieron Tyler

After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this outing promoting his new album Crying the Neck, he says he felt “like I’ve been drag-queen story hour” and, in Kingston, “a preacher.” He’s talked out. All that there is to say has been said.

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Bonnie Raitt, Brighton Dome review - a top night with a characterful, very American blues rock queen

Thomas H Green

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of your life. They are the kind of purely American rhythm’n’blues experience, tempered with FM radio balladry, that somehow works best, and perhaps only, on those endless highways and dusty plains.

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Hidden Door Festival 2025 review - the transformative Edinburgh event's most site-specific festival yet

Miranda Heggie

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an attempt to extol the virtues of a good Presbyterian work ethic.

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Pulp, O2 Arena review - common people like us

Nick Hasted

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More, their first album in almost as long. “It’s nice they’ve got something to do when they’re getting on a bit,” Cocker says, acidly imagining the response. “Fuck that!”

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