fri 18/07/2025

New Music Reviews

12 Stone Toddler, Green Door Store, Brighton review – experimentalism can still be pop

Thomas H Green

Ten years ago Brighton band 12 Stone Toddler burst onto the scene with two off-the-wall albums of madly inventive pop-rock. They then vamoosed back out of existence. Now they’re back, preparing a third album for the Freshly Squeezed label, and playing a packed home town gig. The second song they do is a new one, “Piranha”...

Read more...

Reissue CDs Weekly: Ramones

Kieron Tyler

Production gloss and deliberation are not notions immediately springing to mind while pondering the 1976-era Ramones. Even so, this new edition of their second album, the ever-wonderful Leave Home, reveals that careful consideration was given to how they presented themselves on record.

Read more...

Reissue CDs Weekly: Anne Briggs

Kieron Tyler

The Time Has Come was issued in late 1971. Anne Briggs’ second album and her second to reach shops that year, it followed an eponymous set released that April. That was on the folk label Topic and produced by the pivotal A. L. Lloyd, who had been key to propagating Britain’s traditional music since the late 1930s.

Read more...

theartsdesk on Vinyl 30: Moby, The Beach Boys, Napalm Death, John Coltrane and more

Thomas H Green

If there’s a downside to the resurgence of vinyl, it’s that all that’s left in most charity shops these days is James Galway and his cursed flute and Max Bygraves medley albums. Then again, there’s always new stuff coming in so it’s down to everybody to get in there quick, before the local record shops hoover up all the gems. And there it is. Many small towns now have local record shops again. That’s surely something to celebrate.

Read more...

Tom Petty and the Heartbreakers, Hyde Park review - electrifying American classics

Katie Colombus

Tough security checks mean I make it to British Summer Time’s main stage just moments before the opening chords of the early evening set from The Lumineers.

Read more...

Reissue CDs Weekly: Silhouettes & Statues - A Gothic Revolution

Kieron Tyler

In February 1983, New Musical Express ran a cover feature categorising what it termed “positive punk”. Bands co-opted into this ostensibly new trend were Blood & Roses, Brigandage, Danse Society, Rubella Ballet, Sex Gang Children, Southern Death Cult, The Specimen, UK Decay and The Virgin Prunes.

Read more...

BambinO / Last And First Men, Manchester International Festival

Robert Beale

The Manchester International Festival – a biennale of new creative work – this year has a new artistic director in John McGrath, and there’s no large-scale new opera or prominent "classical" work, it would seem, other than Raymond Yiu’s song cycle, The World Was Once All Miracle, performed on Tuesday by Roderick Williams with the BBC Philharmonic.

Read more...

Steve Winwood, Eventim Apollo review - multi-talented performer redesigns his back catalogue

Adam Sweeting

The precocious Steve Winwood joined the Spencer Davis Group when he was 14, when the Sixties themselves were still young, and hasn’t really stopped ever since.

Read more...

Reissue CDs Weekly: Beach House

Kieron Tyler

From beginning to end, B​-​Sides and Rarities plays through like a regular album; as though it collects a series of tracks recorded where a cohesive release with a flow was the goal. Yet this 14-cut collection is a compilation with its earliest selection from 2005, the year Beach House formed.

Read more...

theartsdesk at Glastonbury Festival 2017

Caspar Gomez

It’s a Tweet-age Glastonbury aftermath. It’s monsooning grey outside. The real world’s back, consensus reality fast encroaching. Everything’s moved on, spun to the next thing as we A.D.D. onto Wimbledon, Hard Brexit or whatever. Even my 14-year-old daughter knows the “Oh, Jeremy Corbyn” chant (to the riff from White Stripes “Seven Nation Army”) that rolled across this year’s Glastonbury crowds like...

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Poor Clare, Orange Tree Theatre review - saints cajole us si...

What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons...

That Bastard, Puccini!, Park Theatre review - inventive comi...

Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the...

Hamlet, Buxton International Festival review - how to re-ima...

Ambroise Thomas’s version of Hamlet is the flagship production of this year’s Buxton International Festival and was always going to be a...

Friendship review - toxic buddy alert

The frenetic brand of humour that Tim Robinson brings to Friendship comes from a long lineage. There have...

Album: Slikback - Attrition

In the eternal now of the strobe-lit sweatbox, innovation functions in a different way to the rest of culture. Yes of course, the thrill of the...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...