thu 22/05/2025

New Music Reviews

London Vocal Project, Jon Hendricks review - towering homage to a Miles Davis classic

peter Quinn

Almost 50 years since he started working on it, and following its world premiere in New York in February, it was a huge thrill to hear Jon Hendricks' lyricisation of the classic Miles Davis-Gil Evans album Miles Ahead at Kings Place.

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It Was Fifty Years Ago Today! review - without a little help from their friends

james Woodall

This is the most frustrating film. It’s probably no fault of the makers, but it’s rare to have to assess a documentary for what it doesn’t have. Over nearly two hours of celebrating the Sgt. Pepper’s Lonely Hearts Club Band Beatles period – late 1966 to their record label Apple taking off in 1968...

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Reissue CDs Weekly: Shel Talmy

Kieron Tyler

As the producer of the early Kinks and Who, Shel Talmy’s status as one of British pop’s most important figures is assured. He is, though, American. Despite being integral to the mid-Sixties boom years when the Limeys took over, he was born in Chicago in 1937.

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Yasmine Hamdan, Scala review - sultry, epic and doom-laden

Peter Culshaw

Yasmine Hamdan has gone from being an indie star in Beirut a decade ago with her adventurous band Soapkills to being a bona fide solo star with a couple of sophisticated albums behind her, the latest Al Jamilat recently released.

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Reissue CDs Weekly: The Creation

Kieron Tyler

 “Electronic music, feedback, imaginative identification with colours and art and unique sounds is our art-from. We feel we are contributing to the new ‘total sound culture.’ This culture will take its place in the world just as the Renaissance and Picasso’s blue period has.”

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High Focus Records showcase, Brighton Festival review - smart hip hop, dodgy sound

Thomas H Green

The two main commands coming from the stage at this evening's Brighton Festival event are “Everybody jump, jump” and “Put your hands in the air and go side-to-side”. The crowd are mostly under 30 and emanate dancing energy from the moment the doors open, as DJ Molotov warms up. The set-up is basic, a DJ and some mics, but that’s as it should be for, on one level, this evening takes...

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Pink Floyd: Their Mortal Remains, V&A review – from innocence to experience and beyond

Adam Sweeting

The title of this exhibition is typical of Pink Floyd’s mordant view of the world, not to mention their sepulchral sense of humour.

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Reissue CDs Weekly: Alice Coltrane

Kieron Tyler

A strong candidate for reissue of the year, World Spirituality Classics, Volume 1: The Ecstatic Music of Alice Coltrane Turiyasangitananda is a rarity amongst archive collections as it does what is always hoped for but seldom accomplished. A new story is told, the music is unfamiliar but wonderful, and it has been put together conscientiously.

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Reissue CDs Weekly: Honeybeat

Kieron Tyler

Compilations of Sixties girl group or girl-pop sides are innumerable but Honeybeat: Groovy 60s Girl-Pop is promoted on the basis of the rarity of what’s collected. The 19 tracks include The Pussaycats “The Rider”, the A-side of a 1965 single: originals sell for upwards of £100.

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Caetano Veloso and Teresa Cristina, Barbican

Peter Culshaw

Caetano Veloso is a unique figure in world popular music. As bright as the likes of David Byrne and Brian Eno, but also a genuine pop star, beloved by “chamber maids and taxi drivers” as well as the intellectual liberal élite. In the late 1960s, he reinvented Brazilian pop music with friends like Gilberto Gil in the Tropicalismo movement.

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