thu 22/05/2025

New Music Reviews

Reissue CDs Weekly: FJ McMahon

Kieron Tyler

Once heard, 1969’s Spirit of the Golden Juice is not forgotten. F. J. McMahon’s sole album is imbued with the heavy air of desolation. Its nine country tinged songs are also melodic and as good as those by Tim Hardin and Fred Neil, with whom McMahon is most often compared. Unlike them, McMahon had not steered a path through the folk circuit to achieve recognition.

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The Psychedelic Furs, Concorde 2, Brighton review - classy new wave pop ruined by bad sound

Thomas H Green

This is, in many ways, an underwhelming evening, but the fault does not primarily lie with The Psychedelic Furs. Things start well with support act Lene Lovich who gives a lively performance, in a black’n’red ensemble with striped sleeves and a gigantic, beribboned, plaited wig/hair/hat confabulation which has something of Big Chief Sitting Bull about it. Despite not playing her only Top 10 hit, 1979’s “...

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Reissue CDs Weekly: Ólafur Arnalds

Kieron Tyler

We’ve been here before. Not to exactly the same territory, but to a neighbouring space in the same time frame. Last year, theartsdesk looked at a reissue of 2007’s Room to Expand, the first widely available album by the minimalist pianist Hauschka.

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Reissue CDs Weekly: The Radiators From Space

Kieron Tyler

TV Tube Heart, the debut album from The Radiators From Space, was issued on 21 October 1977, a week before the Sex Pistols’ Never Mind the Bollocks. Each was a punk rock album and one, inevitably, has been subjected to greater historical analysis and many more reissues than the other.

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Prom 53 review: Buckley, Metropole Orkest - extravagantly entertaining jazz

Matthew Wright

Think Charles Mingus, and it’s unlikely that a neon-coiffed saxophonist playing acoustic house while doing a solo can-can around the stage will come to mind. A highly original, introspective figure whose best music is a thrillingly rumbustious fusion of bluesy melody and gruff rhythmic experiment, Mingus is a bold choice for the usually lush-toned Metropole Orkest.

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Reissue CDs Weekly: Blancmange

Kieron Tyler

The Some Bizzare Album was released in January 1981. Compiled by DJ Stevo, it featured twelve unsigned acts he felt represented a fresh way of approaching pop – one enabled by the availability of synthesisers and rhythm machines. Stevo was playing the new music at the nights he hosted, putting the bands on and compiling the electronic chart for the weekly music paper Sounds.

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Reissue CDs Weekly: Noise Reduction System

Kieron Tyler

Last year, the arrival of Close to the Noise Floor compelled theartsdesk’s Reissue CDs Weekly to conclude that it was “hugely important and utterly delightful”. A four-CD set, it was a thrilling, first-time overview of the UK’s early indie-synth mavericks from Blancmange to Throbbing Gristle and Muslimgauze to Sea of Wires. Now, it has spawned a follow-up.

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theartsdesk on Vinyl 31: Psychic TV, Kendrick Lamar, Brian Eno, Stan Getz and more

Thomas H Green

August is often a quiet month on the release front but theartsdesk on Vinyl came across a host of music deserving of attention. Now that even Sony, one of the biggest record companies in the world, are starting to press their own vinyl again, it’s safe to say records aren’t disappearing quite yet. On the contrary, the range of material is staggering in its breadth.

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Reissue CDs Weekly: Fairport Convention

Kieron Tyler

According to Pete Frame’s book Rock Family Trees, Fairport Convention had 15 different line-ups between 1968 and 1978, the period covered by the new box set Come All Ye – The First 10 Years. Fairport Convention #7, extant from November 1971 to February 1972, featured no one from the first three iterations of the band, which had taken them up to June 1969. Evidently, the actuality of Fairport Convention is fluid.

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Goat/Moonlandingz, Brixton O2 Academy review - a feast of modern psychedelic rock

Javi Fedrick

Representing the best of the current psych revival’s many faces, the scuzziness of The Moonlandingz and overwhelming groove of Goat all seem initially out of place amongst the mock-Greek décor of the O2 Academy Brixton. With an audience that doesn’t stop bopping through both the bands and stellar DJ sets in between, however, the night feels far more transcendental than awkward.

There is a...

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