tue 22/07/2025

New Music Reviews

Kesha, Electric Brixton review - a joyously sassy comeback

Thomas H Green

There are more clothes flying Kesha’s way than onto the stage at a Las Vegas Tom Jones concert in the mid-Seventies. She started it. As she introduced her 2010 single “Take It Off”, she announced that since things were so hot she’d be discarding a few items. Duly, she removes the heavy, dark velveteen jacket, decorated with embroidered red roses, that she’s been wearing so far, and undoes her shiny gold shirt down to her sternum, revealing her bra. The song kicks in and the capacity crowd go...

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Iceland Airwaves 2017 review - political change at Reykjavík's major music festival

Kieron Tyler

Óttarr Proppé, the stylish chap pictured above, was appointed Iceland’s Minister of Health in January this year. Last Saturday, when the shot was taken, he was on stage in his other role as the singer of HAM, whose invigorating musical blast draws a line between the early Swans and Mudhoney.

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Reissue CDs Weekly: The Moody Blues

Kieron Tyler

In early 1965, Birmingham’s The Moody Blues topped the British charts with a forceful reinterpretation of Bessie Banks’ R&B ballad “Go Now”. In early 1968, after some line-up changes and a radical musical rethink, they hit 19 with “Nights in White Satin”. Although as moody as “Go Now”, this was a different Moody Blues.

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An Evening with Pat Metheny, Barbican - sheer joy under the Missouri sky

Sebastian Scotney

Pat Metheny recently described quite how much he enjoys just being on stage: “As Phil Woods used to say, the concert, that's for free. What the promoter is paying for is getting on the plane, getting off the plane, to pack your suitcase. The actual gig – you can have that for nothing.”

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Saz'iso, Colston Hall, Bristol review - bewitching music from Southern Albania

mark Kidel

A strange and wonderful moment: the standing area at the rear of The Lantern, the smaller venue at Bristol’s Colston Hall, is suddenly transformed into a corner of Southern Albania.

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theartsdesk on Vinyl 33: Pet Shop Boys, AK/DK, Ian Dury, Grateful Dead and more

Thomas H Green

The autumnal release deluge is upon us. Vinyl’s thriving and writhing. Raise a glass to it. Do it. However, records that, in another month, would have been reviewed here, music that would have been in the ALSO WORTHY OF MENTION section, has been unfairly passed over.

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Peter Perrett, Concorde 2, Brighton review - magnificent songs scorchingly rendered

Thomas H Green

These days Peter Perrett doesn’t rely on the songs of his late Seventies/early Eighties band, The Only Ones, to hold his audience’s attention. At 65, looking and sounding healthier than he has done in years, he’s on a vital late-career creative roll. At the start of his first encore he even plays a new, unreleased song, “War Plan Red”, giving vent to fiery infuriation with global...

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Reissue CDs Weekly: Serge Gainsbourg & Jean-Claude Vannier

Kieron Tyler

In terms of cinema history, 1969’s Les Chemins de Katmandou is a footnote. Directed by André Cayatte, whose most interesting films were 1963’s interrelated marital dramas Jean-Marc ou la Vie Conjugale and Françoise ou la Vie Conjugale, it was a period-sensitive immersion into the world of a group of Nepal-based hippies. Though ostensibly a crime drama, a focus on drugs and free love brought an exploitation allure.

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Queen: Rock the World, BBC Four review - we won't rock you

Jasper Rees

Forty years ago Whispering Bob Harris made a documentary about Queen. He eavesdropped on them as they recorded the album News of the World and then followed them around America on tour.

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CD Special: Bob Dylan's Trouble No More review - he’d never sound better

Tim Cumming

After more than 35 years of subterranean bootleg life, Bob Dylan’s incendiary gospel shows and sessions from 1979 to 1981 are seeing the light of day as volume 13 of the Official Bootleg Series.

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