thu 22/05/2025

New Music Reviews

An Evening with Pat Metheny, Barbican - sheer joy under the Missouri sky

Sebastian Scotney

Pat Metheny recently described quite how much he enjoys just being on stage: “As Phil Woods used to say, the concert, that's for free. What the promoter is paying for is getting on the plane, getting off the plane, to pack your suitcase. The actual gig – you can have that for nothing.”

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Saz'iso, Colston Hall, Bristol review - bewitching music from Southern Albania

mark Kidel

A strange and wonderful moment: the standing area at the rear of The Lantern, the smaller venue at Bristol’s Colston Hall, is suddenly transformed into a corner of Southern Albania.

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theartsdesk on Vinyl 33: Pet Shop Boys, AK/DK, Ian Dury, Grateful Dead and more

Thomas H Green

The autumnal release deluge is upon us. Vinyl’s thriving and writhing. Raise a glass to it. Do it. However, records that, in another month, would have been reviewed here, music that would have been in the ALSO WORTHY OF MENTION section, has been unfairly passed over.

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Peter Perrett, Concorde 2, Brighton review - magnificent songs scorchingly rendered

Thomas H Green

These days Peter Perrett doesn’t rely on the songs of his late Seventies/early Eighties band, The Only Ones, to hold his audience’s attention. At 65, looking and sounding healthier than he has done in years, he’s on a vital late-career creative roll. At the start of his first encore he even plays a new, unreleased song, “War Plan Red”, giving vent to fiery infuriation with global...

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Reissue CDs Weekly: Serge Gainsbourg & Jean-Claude Vannier

Kieron Tyler

In terms of cinema history, 1969’s Les Chemins de Katmandou is a footnote. Directed by André Cayatte, whose most interesting films were 1963’s interrelated marital dramas Jean-Marc ou la Vie Conjugale and Françoise ou la Vie Conjugale, it was a period-sensitive immersion into the world of a group of Nepal-based hippies. Though ostensibly a crime drama, a focus on drugs and free love brought an exploitation allure.

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Queen: Rock the World, BBC Four review - we won't rock you

Jasper Rees

Forty years ago Whispering Bob Harris made a documentary about Queen. He eavesdropped on them as they recorded the album News of the World and then followed them around America on tour.

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CD Special: Bob Dylan's Trouble No More review - he’d never sound better

Tim Cumming

After more than 35 years of subterranean bootleg life, Bob Dylan’s incendiary gospel shows and sessions from 1979 to 1981 are seeing the light of day as volume 13 of the Official Bootleg Series.

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Steely Dan / The Doobie Brothers, Bluesfest 2017 review - brilliant Dan, delicious Doobies

Adam Sweeting

Following the recent death of the band's co-founder Walter Becker, it seemed faintly remarkable that Steely Dan went ahead with this O2 show at all – it was the closing night event of Bluesfest 2017 – but Becker’s absence wasn’t allowed to detract from the sustained brilliance of the performance.

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Reissue CDs Weekly: Paul Major’s Feel the Music

Kieron Tyler

Dave Porter has a question. He wants to know where clouds go. “After they pass by, are they just like people, that go on and then die?” The figurative bit between his teeth, he wonders if small clouds “are lonely, like you and I? Do they just go to rain, or is that a tear from their eye? Sometimes I feel like a small cloud passing by, never knowing where I’m going and never knowing why.”

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Sleaford Mods, Manchester Academy review - laptop punks still have it

Javi Fedrick

Sleaford Mods are not just those two sweary guys with a laptop from Nottingham. Their unique mix of acerbic, politically conscious lyrics and lo-fi earworm loops have rightfully earned them a growing and devoted following across the country. Indeed, the audience at Manchester Academy is packed with moody 20-somethings and middle-aged punks. Rather than appearing intimidating, however, the atmosphere is full...

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