New Music Reviews
Reissue CDs Weekly: The JamSunday, 26 November 2017
In 1976, Polydor Records was actively considering signing the Sex Pistols. The label’s Chris Parry checked them out live in Birmingham during August. In September, he had a prime spot behind the mixing desk at the 100 Club’s punk festival from which to consider British punk rock’s figureheads. Read more... |
Jools Holland and José Feliciano, Royal Albert Hall review - giving the audience what they expectSaturday, 25 November 2017
It really is quite something to be admired, the sheer longevity and staying power of the Jools Holland franchise. The TV show Later...With Jools Holland, with the same core team running it, has just celebrated its 25th anniversary and put its 51st season to bed. That takes us all the way back to October 1992, just after the summer of John Bryan and Antonia de Sancha, of toes and Chelsea strips.... Read more... |
Reissue CDs Weekly: Phil SeymourSunday, 19 November 2017
“Precious to me” is a high-carat gold nugget. A guitar-pop song with cascading, lush Everly Brothers harmonies drawing on The Searchers’ version of “When You Walk in the Room”, its immediate tune instantly lodges itself in the head. Read more... |
Depeche Mode, Manchester Arena review - synth-pop gurus raise the spirits of thousandsSaturday, 18 November 2017
For a band as big as Depeche Mode, in a venue as big the 21,000-capacity Manchester Arena, on a tour as big as their current Spirit tour, it almost doesn’t need saying that the pre-gig atmosphere is buzzing. Read more... |
Robert Glasper, Barbican review - emotional fellowship and creative interconnectionsSaturday, 18 November 2017
As moments of transcendence go, Laura Mvula’s guest spot at Robert Glasper’s EFG London Jazz Festival show provided one of the year’s most transporting musical moments. Powered by the huge harmonic slabs carved out by keyboardist Travis Sayles and the vast backbeat of bassist Derrick Hodge and drummer George “Spanky” McCurdy, Mvula’s delicately outerspacious “Bread” was... Read more... |
Seeger MacColl Family, Cecil Sharp House review - keeping the folk tradition aliveFriday, 17 November 2017
The family that sings together stays together… At least that’s true in folk music. Think of Waterson- Carthy and Seeger-MacColl. And last night at Cecil Sharp House, citadel of British folk music, Peggy Seeger and her sons Calum and Neill stepped out for a family concert. Read more... |
Mark Guiliana Jazz Quartet, Ronnie Scott’s review - sophistication and simplicityThursday, 16 November 2017
If having several projects on the go is a necessity for most jazz musicians, the US drummer Mark Guiliana is more protean than most, with a musical CV that traverses jazz, rock and electronic music. Like the pianist Robert Glasper, Guiliana – voted Best Jazz Drummer in this year’s Modern Drummer Readers Poll – has been hugely influenced by electronic music and textures, as equally inspired by... Read more... |
Kesha, Electric Brixton review - a joyously sassy comebackWednesday, 15 November 2017
There are more clothes flying Kesha’s way than onto the stage at a Las Vegas Tom Jones concert in the mid-Seventies. She started it. As she introduced her 2010 single “Take It Off”, she announced that since things were so hot she’d be discarding a few items. Duly, she removes the heavy, dark velveteen jacket, decorated with embroidered red roses, that she’s been wearing so far, and undoes her shiny gold shirt down to her sternum, revealing her bra. The song kicks in and the capacity crowd go... Read more... |
Iceland Airwaves 2017 review - political change at Reykjavík's major music festivalMonday, 13 November 2017
Óttarr Proppé, the stylish chap pictured above, was appointed Iceland’s Minister of Health in January this year. Last Saturday, when the shot was taken, he was on stage in his other role as the singer of HAM, whose invigorating musical blast draws a line between the early Swans and Mudhoney. Read more... |
Reissue CDs Weekly: The Moody BluesSunday, 12 November 2017
In early 1965, Birmingham’s The Moody Blues topped the British charts with a forceful reinterpretation of Bessie Banks’ R&B ballad “Go Now”. In early 1968, after some line-up changes and a radical musical rethink, they hit 19 with “Nights in White Satin”. Although as moody as “Go Now”, this was a different Moody Blues. Read more... |
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