wed 16/07/2025

New Music Reviews

Reissue CDs Weekly: The Mothmen

Kieron Tyler


The Mothmen Pay Attention!The Mothmen: Pay Attention!

Read more...

Songlines Encounters, Kings Place

Tim Cumming

The fifth Songlines Encounters Festival at Kings Place brought together artists from around the world, offerering a powerful cultural kick-back against all manner of extremist positions. The opening Thursday featured young Portuguese Fado singer Gisela João, with Cypriot trio Monsieur Doumani, and the closing Saturday paired the Shikor Bangladesh All Stars with the Anglo-Bangladeshi Afrobeat Latin grooves of Lokkhi Terra.

Read more...

The Beach Boys, Royal Albert Hall

Matthew Wright

You might think that the carefree, gleeful melodies of sunny Californian surf-rock giants The Beach Boys would render them immune to the kind of egotistical wedge-driving that sunders most rock groups eventually. You would, of course, be wrong.

Read more...

Fatoumata Diawara and Roberto Fonseca, Barbican

Thomas Rees

Though they're separated by thousands of miles, Cuba and Mali share a common musical connection. Right at the heart of Cuban music lie rhythms from sub-saharan African and last night the two traditions were united once again when Havana-born piano virtuoso Roberto Fonseca (of Buena Vista Social Club fame) took the stage with Fatoumata Diawara, a Malian singer and guitarist who is fast becoming a giant of the world music scene.

Read more...

CD: Willie Nelson and Merle Haggard - Django and Jimmie

Tim Cumming

Merle and Willie – these kind of senior country summits can either be a bit of a coaster, all well and good underneath your tumbler of Bourbon, or actually something to write home about. Keep this one away from the liquor.

Read more...

Reissue CDs Weekly: Marvin Gaye

Kieron Tyler

 

Marvin Gaye 1961–1965Marvin Gaye: Marvin Gaye 1961–1965

Read more...

Doctor Who Symphonic Spectacular, SSE Hydro, Glasgow

Lisa-Marie Ferla

It seems a peculiar conceit to pack up a full symphony orchestra and choir and take them the length of the UK solely to perform suites of music from a popular television show – and I say this as a fan of the show in question.

Read more...

When Pop Ruled My Life, BBC Four

Jasper Rees

A long time ago I went out into the field to research a feature about the three ages of obsessive fandom. At the entry level was a bog-standard legion of young teenage girls who simply hung around outside the mansion block in Maida Vale where one or possibly both of the Gosses (of Bros) lived. I also met three young women who had access to Jason Donovan’s diary and were traipsing around town in the hope of glimpse. Donovan’s star had waned but they hadn’t moved on.

Read more...

Fleetwood Mac, Reunion Tour, O2 Arena

Jasper Rees

To begin at the very bizarre ending. Fleetwood Mac, finally reunited as a five-piece with Christine McVie stage right on luscious vocals and keyboard, had just thrashed out a show of great finesse for two hours. It had all gone peachily. McVie was given a last lovely encore - “Songbird” – crooned solo on a grand piano. That should have been it. Many were already going, or gone.

Read more...

Common People Festival, Southampton

Caspar Gomez

Perhaps it was after Bestival 2008 that its organizer, Rob da Bank, made his pact with the ancient gods. That year the Robin Hill Country Park site was reduced to a cold, sleet-raked, tornado-blown mire. The event truly lived up to every overuse of the word “mud” the British media hurls about eagerly each festival season. It was then, presumably, that da Bank, together with his acolytes in necromancy, turned to the pagan arts to facilitate positive weather conditions for future events.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Superman review - America's ultimate immigrant

A three-century-spanning countdown rapidly ticks to a version of now, and a beaten Superman (David Corenswet) ploughing into Arctic snow. His...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...