mon 17/06/2024

New Music Reviews

Foo Fighters, Olympic Park

Matthew Wright

“There goes my hero,” sang the Foo Fighters at the end of the Invictus Games last night. True to form, the Foo Fighters’ performance was a barrage of energy and goodwill, which closed the games - characterised by much the same - on an all-round high.

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Mulatu Astatke, Royal Festival Hall

Peter Culshaw

It was Jim Jarmusch’s film Broken Flowers that first really got Mulatu Astatke major Western attention – in same way that Angelo Badalementi’s music for Twin Peaks gave a rich and strange dimension to David Lynch’s TV epic, there was an even greater sense of wonderful disorientation, or as Brian Eno put it “jazz from another planet,” with Astatke’s music.

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Reissue CDs Weekly: Game Theory

Kieron Tyler

 

Game Theory Blaze Of GloryGame Theory: Blaze of Glory

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Blondie, O2 Academy, Birmingham

Guy Oddy

Blondie may have been around the block a few times since they got together in New York in 1974, but they seemingly have no intention of settling into a comfortable existence of just playing the hits to ever-diminishing artistic returns. Their present set-list features large swathes of recent album Ghosts of Download, as well a fair amount of other unlikely surprises in between the tunes that provided a soundtrack to the teenage years of many of their now-greying audience.

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Elbow, Roundhouse

Heidi Goldsmith

Punctually, following a tension-building countdown, Elbow entered the blue-lit stage at London’s legendary Roundhouse, beers in hand, and gestured the 1500-strong audience into a mass toast. With his slight stoop, soft Manchester accent and wayward estate-agent appearance Guy Garvey’s frontman persona takes more from familiar folk Daddies like Loudon Wainwright III than from the styled superstars also headlining at the iTunes Festival.

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Prom 74: Wainwright, Voigt, Britten Sinfonia, Debus

David Nice

Swathes of this year’s final Late Night Prom were so invertebrate, amateurish even, that I was tempted to go home and throw out my Want One and Want Two CDs. I won’t, of course: Canadian American singer-songwriter Rufus Wainwright has written some fabulous songs, and developed a unique vocal style to deliver them.

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Art Garfunkel, Royal Festival Hall

Fisun Güner

The voice no longer soars with easeful power, nor does it possess that tingling, honey-coated purity that gave hits such as “Bridge Over Troubled Water” such emotional force. This should hardly come as a surprise, since Art Garfunkel is now 72. Away from Paul Simon, from whom he split in 1970, Garfunkel has had a long, stop-and-start solo career, occasionally writing and recording his own songs but mainly singing other people’s, including those unforgettable Simon hits.

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theartsdesk at Bestival 2014: Full Biochemist's Report

Caspar Gomez

Sometimes you don’t escape. Even for those of us with a sturdy frame and a good track record, every now and then, enjoying the ride means taking the pummelling.

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Prom 71: Time for Three, BBC Concert Orchestra, Lockhart

Matthew Wright

Aaron Copland was an unlikely musical portraitist of the American plains and prairies. Son of Jewish immigrants from Brooklyn and student of modernism with Nadia Boulanger in Paris, he nonetheless created the quintessential American orchestral sound with a series of popular (“vernacular” was his phrase) works in 1930s and 1940s. Last night three of his most popular pieces were paired with two new pieces inspired by jazz, that other great American twentieth-century music.

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Reissue CDs Weekly: Calypso Craze

Kieron Tyler


Calypso CrazeVarious Artists: Calypso Craze

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