wed 02/04/2025

New Music Reviews

Laura Moody, The Old Church, Stoke Newington

Russ Coffey

The venues Laura Moody has played on this, her first national tour, have included a launderette, a lighthouse, and the philosophy section of a well-known Oxford bookshop – all, apparently, selected for their “intimate and unusual” quality. It's certainly been an odd couple of months. On the other hand Acrobats, the album she featured last night, seemed a little more mainstream than her previous material. 

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The Warlocks, Rainbow, Birmingham

Guy Oddy

The Warlocks are a psychedelic band from LA who dress not unlike the Velvet Underground in their prime and are clearly not given to star-like behaviour. They slope onto the stage at Birmingham’s Rainbow, tune up and burst straight into “Red Camera” from their 2009 album The Mirror Explodes. A heavy, dense mediation that comes on like a deep, Spacemen 3-flavoured drone, it whacks up the volume and sets the tone for the evening.

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Reissue CDs Weekly: Eurovision 2015

Kieron Tyler

 

Building Bridges Eurovision Song Contest  Vienna 2015Various Artists: Building Bridges - Eurovision Song Contest Vienna 2015

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San Fermin, Jazz Café

Matthew Wright

San Fermin have enough brass to rock Mardi Gras and the vocal range to stretch an opera chorus, but they are, still, a pop group. The Brooklyn indie octet’s straight-through rendition of their second album Jackrabbit, released last week, inspired the Jazz Café on Monday night, their obliquely hyperactive compositions, by Yale graduate and Nico Muhly associate Ellis Ludwig-Leone, decked in the gaudy distractions of the carnival.

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Reissue CDs Weekly: Dion

Kieron Tyler

 

Dion Recorded Live at the Bitter End August 1971Dion: Recorded Live at the Bitter End August 1971

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The Fall, Brixton Electric

Tim Cumming

They begin with “My Door is Never” from 2007 album Reformation Post TLC, and close a little over an hour later with “Sparta FC”, from early in the century, and from a long-gone Fall line-up. In between, a flurry of blurred, brutal songs from the new and most recent albums set about pummelling a packed house at the Brixton Electric.

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Public Service Broadcasting, Corn Exchange, Brighton

Thomas H Green

A band are doing well if they have their audience laughing and cheering before they’ve even hit the stage. Such is the case with Public Service Broadcasting who show a creaky public information-style animation, with a distinct 1970s feel, prior to their appearance. In it we’re presented with Calman-esque cartoons Ralph and Geoffrey who each have contrasting approaches to using their mobile phones at concerts.

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Three Tales, Ensemble BPM, IMAX Science Museum

David Nice

Poised vibrantly enough between the buried-alive monotony of Philip Glass and the dynamic flights of John Adams, Steve Reich’s Three Tales deserves a special place in music-theatre history ("opera" it is not).

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Laura Marling, QEH

Fisun Güner

There’s no doubting the precocious talent of Laura Marling. At just 25 she recently released her fifth album, Short Movie, which matched the spiky introspection of song-writing previously driven by folk melodies with a new rock-orientated sound.

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Wild Card, Jazz Café POSK

Matthew Wright

Jazz-funk organ trio Wild Card have been slowly building a reputation for smoking funk tunes and grooves you could lose a pantechnicon in for some years now. Led by French guitarist Clément Régert, with organist Andy Noble and drummer Sophie Alloway, they perform with quite a range of guests, both instrumentalists and singers, which keeps the atmosphere of their repertoire fresh and varied.

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