wed 02/04/2025

New Music Reviews

The Man Who Sold the World, O2 Shepherd's Bush Empire

Barney Harsent

Normally, if an album as good as The Man Who Sold the World had itself sold the sum total of sod all on release, it would have been lost, then found, before becoming a fêted rarity, exchanging hands for hundreds while bootleggers had a field day.

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Freedom: The Art of Improvisation Festival, The Vortex, Dalston

Thomas Rees

Freedom Festival, a new event curated by vibes player and electronicist Orphy Robinson and vocalist Cleveland Watkiss, is all about bringing improvised music out of the shadows and into the limelight. All the same, it felt strange going to the Vortex in broad daylight. Gigs here don’t usually get started much before 9 pm (I’d always assumed that improvising musicians only came out at night), and darkness seems to lend itself to the free jazz atmosphere.

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Taylor Swift, Hyde Park

Lisa-Marie Ferla

While most contemporary entertainers rely on a little of the old smoke and mirrors, no pop culture phenomenon requires the same suspension of disbelief as the 21st-century pop concert. When you pay your money, it is with the understanding that, while everything you see may be staged, the sentiment is real. And, since most of us cannot afford to see the same artist twice on the same tour, the bargain holds.

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Reissue CDs Weekly: Dust on the Nettles

Kieron Tyler

 

Dust on the Nettles – A Journey Through the British Underground Folk Scene 1967–72Various Artists: Dust on the Nettles – A Journey Through the British Underground Folk Scene 1967–72

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Sacred Imaginations, Kings Place

Peter Culshaw

This was one of the most crazily ambitious music projects of the year so far. Co-curators Sam Mills and Susheela Raman, with generous sponsorship, assembled their favourite musicians in different styles from Greece, Lebanon, Ethiopia and Russia under the title of Sacred Imaginations: New and Ancient Music From the Near East.

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theartsdesk on Vinyl: Volume 6 - Miles Davis, Giant Sand and more

Thomas H Green

It's becoming clear that the appeal of vinyl is two-fold. On the one hand there are older buyers who are returning to it as a validation of their own life journey though music and, on the other, there are young enthusiasts whose honeymoon with virtual music has tailed off and who enjoy vinyl's physicality. And then there's the whole dance music DJ subculture too.

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Reissue CDs Weekly: Peter Zinovieff

Kieron Tyler

 

Peter Zinovieff: Electronic Calendar – The EMS TapesPeter Zinovieff: Electronic Calendar – The EMS Tapes

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Seb Rochford and Co, Brilliant Corners

Thomas Rees

If you still haven’t been to Played Twice, a monthly jazz night held at Brilliant Corners in Dalston, I suggest you do something about it. The concept is simple. First there’s a playthrough of a landmark album on the venue’s top of the range analogue soundsystem – an anorak’s dream, all glistening valves and sleek silver turntables – and then a band reinterpret that recording live in the venue.

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Supersonic Festival, Birmingham

Guy Oddy

The Supersonic Festival of the weird and the wonderful may now be in its 12th year but it is still more than living up to its long-running tag-line, “For curious audiences”. This year, an eager audience was treated to sets by both the Will Gregory Moog Ensemble and post-metalists Liturgy, as well as most points in between.

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Reissue CDs Weekly: Lesley Gore

Kieron Tyler

 

Lesley Gore California NightsLesley Gore: California Nights

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