New Music Reviews
Just in From Scandinavia: Nordic Music Round-Up 3Sunday, 05 February 2012
Long winters, when most outdoor activities are off the menu, must encourage creativity. Judging by the new releases in from Scandinavia, almost-constant dark and sub sub-zero temperatures would do the music of more temperate regions some good, feeding inspiration. Whether it’s Norwegians with a yen for the spooky, irresistible accordionists and disturbing singer-songwriters from Finland, or do-it-yourself Danes, all and more are here. Read more...
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Nicolas Jaar, The RoundhouseFriday, 03 February 2012
The Roundhouse is a melee of moneyed cosmopolitan twentysomething trendies. The beautiful people are out in force. My God, there are some delicious women and men here, expensively dressed, uptown couture to the hilt, a hefty smattering of languages from around the globe. Unexpectedly, for me at least, 22-year-old Chilean-American electronica prodigy Nicolas Jaar has the most chi-chi gig in London tonight. Read more... |
Don't ThinkThursday, 02 February 2012
The Chemical Brothers have long had one of the most vital shows around. It’s a visual spectacular that can only be likened to peak-time Pink Floyd or Jean-Michel Jarre, yet precision-tooled, without the bombast of those acts. Their long-term visual designer, Adam Smith, is mostly responsible and now he’s shot a concert film of the electronic duo’s appearance at the Fuji Rock Festival in Japan last year. Read more... |
Laura Veirs, Queen Elizabeth HallTuesday, 31 January 2012
Laura Veirs may be increasingly seen by some as an “undiscovered gem”, but to others she still comes over a bit too corn-fed to warm to. Of course, the much applauded Year of Meteors and July Flame contain some mighty pretty moments, but there’s also a sense that they belong to a slightly smug American West-Coast eco-culture. But now, recent mother Veirs has released an album of “children’s folk songs,” gaining rave reviews. Read more... |
Orchestra Baobab and Baloji, BarbicanTuesday, 31 January 2012
Last night was one of those occasions when I found myself looking forward to seeing the support band more than the main act. This wasn’t because Senegal’s sublime Orchestra Baobab haven't delivered a transportive heart-warming set of Cuban and soukous grooves every time I’ve seen them live. It was simply because Belgium-based Congolese rapper Baloji made Kinshasa Succusale - one of my favourite albums of last year. Read more... |
Soweto Kinch, Kings PlaceSaturday, 28 January 2012
Soweto Kinch's set last night as part of the eXplorations mini-series featured gluttony, envy and a host of other vices. No, not A Life in the Day of an Investment Banker, but a tantalising glimpse of Kinch's take on the Seven Deadly Sins. Read more... |
How the Brits Rocked America: Go West, BBC FourSaturday, 28 January 2012
Before The Beatles touched down there in 1964, British pop was barely a concern for America. The first in this three-part series took The Beatles arrival as the year zero for British pop’s conquering of America. An entertaining canter through an over-familiar slice of pop history, Go West was enlivened by some top-drawer talking heads including Paul McCartney and Jimmy Page. No Rolling Stones though. Read more... |
Manchester Rising: Celebrating the City's Vibrant Club SceneFriday, 27 January 2012
I first heard Zed Bias's Biasonic Hot Sauce – Birth of the Nanocloud last autumn. He may have been one of the key players in the London-centric sound of UK garage, but he was never of that scene. Based in Milton Keynes through the first phase of his career, he releases through a Brighton label and is now resident in Manchester. Read more... |
Woody at 100, Celtic Connections, GlasgowThursday, 26 January 2012
It would be easy to begin with a reflection on how little the world has changed in the 100 years since the birth of Woody Guthrie; to draw parallels between the Great Depression and our own troubled economic times. Yet en route to last night's “Woody at 100” celebrations at Glasgow's Celtic Connections festival, I realised that to do so would constitute a disservice to undoubtedly one of the most important songwriters of the 20th century. Read more... |
Casiokids, CargoWednesday, 25 January 2012
It’s about the bass and the drums. The choirboy high vocals and sugary melodies catch the ear first, but they’d be so much soufflé without the room-shaking, stomach-wobbling bass throb, the Chic-style disco drumming and its tsk-tsk-tsk hi-hat shuffle. Combined, the soft and airy, the propulsive and grounded make the audience move. Not tap a toe, but actually move – dance. Read more... |
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