tue 24/12/2024

The Good Wife, Series 5, More4 | reviews, news & interviews

The Good Wife, Series 5, More4

The Good Wife, Series 5, More4

If anything it's still getting better

Alicia Florrick (Julianna Margulies, centre) prowls among Chicago's legal and political big beasts

The annual reappearance of The Good Wife is always a cause for celebration. Why they persistently park it in the twilight zone of More4 remains one of the enduring mysteries of our era, since it's one of the best shows on TV, but the only question that need concern us is: will season five be as good as the ones that came before? On the evidence of this opener, yes indeed, so much so that American critics have been hailing it as the best ever,

Change is in the air at Chicago's upmarket law firm Lockhart Gardner. Not only does Alicia Florrick (Julianna Margulies) have to be mindful of her new status as wife of the Governor of Illinois, following the election triumph of her husband Peter, but she's also on the brink of leaving the firm to join a start-up with her ambitious colleague Cary Agos (Matt Czuchry). Yet, we sense, the deal still isn't quite done and dusted.

Alicia's residual feelings for Will Gardner, and her admiration for the steely professional skills of Will (Josh Charles) and Diane Lockhart, are keeping her glued to her old alma mater like an invisible force field. She's also unnerved that David Lee (Zach Grenier), the firm's brutal and bruising divorce specialist, has sniffed treachery on the wind, and is trawling the phone records of potential ship-jumpers like a one-man Stasi (pictured above, Grenier with Christine Baranski).

Meanwhile, the lawyerly pumps had to be manned as Alicia and Diane (Christine Baranski) raced to the rescue of Death Row prisoner Eddie Fornum, wrongly convicted of the murder of two teenage girls during a car-hijacking. As the prison staff attempted to find a suitable vein into which to plug the tubes which would deliver Eddie's lethal dose - his history as a junkie had left him with "rolling veins" -  Ms Lockhart smartly seized the moment to intervene, claiming that the panic-stricken jailers were in effect torturing the distraught prisoner. A stay of execution was duly granted (Josh Charles, pictured below).

The battle of wits between the opposing teams of legal bloodhounds as Lockhart Gardner battled to have Fornum's death sentence quashed was drawn with pace and cunning, with ace investigator Kalinda (Archie Panjabi) helping to uncover a complicated trail of bribery and deceit. Yet there are always multiple plot-plates spinning busily, and you have to look sharp to keep up (though it wasn't possible to avoid the remote-controlled iPad-on-wheels trundling around the office, a recurring gag which ran a little out of control).

For instance, while Peter Florrick (Chris Noth) was hailing his wife's bold decision to fly the nest and start a new law firm, the ghost of scandals past stepped pertly into the room in the shape of Marilyn Garbanzer (Melissa George), head of the Illinois Ethics Committee. Peter Florrick's history of parallel womanising has almost destroyed his career, as his wily aide Eli Gold (the pin-sharp Alan Cumming) was quick to point out. Ms Garbanzer was hastily promoted to the board of the Transit Authority, but the way Peter was looking at her legs boded ill. Already, the plot thickens.

The battle of wits between the opposing teams of legal bloodhounds was drawn with pace and cunning

rating

Editor Rating: 
5
Average: 5 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters