Les Pêcheurs de Perles in concert, Royal Opera House | reviews, news & interviews
Les Pêcheurs de Perles in concert, Royal Opera House
Les Pêcheurs de Perles in concert, Royal Opera House
Antonio Pappano and ensemble vindicate Bizet's score as a gem-studded wonder
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/4782e61929e852d1cbbbbebe70425508.jpg?itok=e5LIfcvB)
Ditch the divers, the video-projected sea and the Relevance with a capital R of ENO's production last season - which managed all three very well indeed - and what remains of Bizet's Pearl Fishers in concert (and in French)? Three ravishing arias, three passionate duets, orchestration and harmony of a subtlety way beyond the plot's cod-oriental hokum: that's enough to begin with. Put Royal Opera music director Antonio Pappano, master of exquisite colour and winged phrasing in French music, in charge of orchestra, chorus and two-and-a-half top singers, and you're in for a treat.
Ditch the divers, the video-projected sea and the Relevance with a capital R of ENO's production last season - which managed all three very well indeed - and what remains of Bizet's Pearl Fishers in concert (and in French)? Three ravishing arias, three passionate duets, orchestration and harmony of a subtlety way beyond the plot's cod-oriental hokum: that's enough to begin with. Put Royal Opera music director Antonio Pappano, master of exquisite colour and winged phrasing in French music, in charge of orchestra, chorus and two-and-a-half top singers, and you're in for a treat.
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Opera
![](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Screenshot%202024-10-30%20at%2017-39-09%20theartsdesk.com%20%28%40the_arts_desk%29%20%E2%80%A2%20Instagram%20photos%20and%20videos.png?itok=W02US5i5)
![Exquisite contrast: Christina Gansch (Susanna) and Michael Mofidian (Figaro)](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Figaro%201_0.jpg?itok=VEZ2X_Hl)
![Dysfunctional family: Count Almaviva's household loses its grip on sanity in Joe Hill-Gibbins' production](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/rsz_the_cast_of_eno%E2%80%99s_the_marriage_of_figaro_2025_%C2%A9_zoe_martin_1.jpg?itok=48dgt3uM)
![Fleeing One and Bureaucrat: Robert Hayward as The Dutchman and Clive Bayley as Daland in Opera North’s production of The Flying Dutchman](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/The%20Flying%20Dutchman%2005%20%281200x800%29.jpg?itok=lWqtLNgb)
![Illusion - Themba Mvula as the Con Man/Interlocutor, with company in Opera North's production of 'Love Life'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Love%20Life%2014%20%281200x800%29.jpg?itok=0X1bTCI9)
![Jenůfa (Corinne Winters) and her stepmother the Kostelnička (Karita Mattila) in the second act](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/webimage-6827C556-C3CE-4593-830A7F92FC1D4C1E.png?itok=tTQeX2Sr)
![Mamma means mayhem: Paolo Bordogna dominates as stage mother Agata in Donizetti's 'Le convenienze ed inconvenience teatrali'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/BLZNRLUACJBTHNK5ZRXKTETKWA.jpg?itok=YW2WmAlW)
![Pappano conducted the first of two performances this week with the LSO and a large international cast](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/rsz_1lso_pappano_barbican_101224_1483.jpg?itok=dtmQKZKy)
![Teamwork to the fore in a multi-credit operatic comedy](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/RNCM_Opera_Cast2_Hi_Res_%C2%A9Robin_Clewley-2998%20%281200x800%29_0.jpg?itok=oxQuz2_E)
![Queen Victoria's good name saves all at the end of 'The Pirates of Penzance'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/3t48PmUg.jpeg?itok=_2gzjqnw)
![Soraya Mafi as Gilda and Michael Chioldi as Rigoletto](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/U6cAZjOA.jpg?itok=Vc1geg1t)
![Drowned out at times, but stylish: Thomas Atkins as Nemorino and Rhian Lois as Adina](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/2i9AbPQA.jpeg?itok=rtE7Y3Qc)
Add comment