tue 24/12/2024

Opera Reviews

La Damnation de Faust, Hallé, Elder, Bridgewater Hall, Manchester review - 'concert opera' indeed

Robert Beale

Berlioz called it a "concert opera". His telling of the Faust story is in scenes and highly theatrical, but a bit of a challenge to put on in the theatre, with its marching armies, floating sylphs, dancing will-o’-the-wisps and galloping horses. It seems he expected it to be a kind of giant cantata, and that’s the way the Hallé and Sir Mark Elder perform it.

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Anthropocene, Hackney Empire review - vivid soundscapes but not quite enough thrills

alexandra Coghlan

The flayed corpse of a dead seal hangs red and grotesque at the back of the stage. It’s a placeholder; we know that by the end of Anthropocene – Scottish composer Stuart McRae’s latest collaboration with librettist Louise Welsh – something more familiar, and far more horrifying, will take its place.

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Katya Kabanova, Royal Opera review - inner torment incarnate

David Nice

Backstories, we're told, are a crucial part of stage visionary Richard Jones's rehearsal process.

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Katya Kabanova, Opera North review – a grim tale

Robert Beale

A sad tale’s best for winter, and Opera North have returned to Janáček’s lyrical taken on a classic Russian drama of domestic abuse, guilt and suicide for this ingredient of their current season.

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Die Walküre, LPO, Jurowski, RFH review - love shines out

David Nice

Harpers on the undeniably offensive aspect of Wagner the man might question attending a concert performance of his second Ring opera on World Holocaust Day. Fortunately there's nothing anti-semitic to be found anywhere in Die Walküre.

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The Queen of Spades, Royal Opera review - uneven cast prey to overthought concept

David Nice

Prince Yeletsky, one of the shortest roles for a principal baritone in opera but with the loveliest of arias, looms large in Stefan Herheim's concept of The Queen of Spades.

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Hänsel und Gretel, Royal Opera review - not quite hungry enough

David Nice

Once upon a time there was the terrible mouth of Richard Jones's Welsh National Opera/Met Hänsel und Gretel, finding an idiosyncratic equivalent to the original Engelbert Humperdinck's dark Wagnerian heart. Then came something very nasty in the witch's deep freeze of the last Royal Opera staging, something of a dog's dinner from Patrice Caurier and Moshe Leiser.

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Gianni Schicchi/Suor Angelica, RNCM, Manchester review – music does the magic

Robert Beale

The Royal Northern College of Music’s December opera production was the useful double bill of Suor Angelica and Gianni Schicchi from Puccini’s Trittico.

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Candide, LSO, Alsop, Barbican review - nearly the best of all possible...

Jessica Duchen

When the biggest laugh in Bernstein’s Candide goes to a narrator’s mention of how nationalism was sweeping through Europe, you may have a problem. Still, the Bernstein Centenary has been among the best of all possible anniversary celebrations this year and at the LSO Candide - the great man’s bonkers operetta-ish take on Voltaire, a flawed masterpiece with a succession of glorious tunes and snappy lyrics - could have been its apex. At times, it was.

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L'heure espagnole, Mid Wales Opera review - Ravel goes like clockwork

Richard Bratby

Mid Wales Opera makes small-scale touring look fun – even when you suspect that, behind the scenes, it really isn’t. Barely 24 hours before this performance of their current production of Ravel’s L’heure espagnole, and 11 dates into their current 16 date tour, their Torquemada, Peter van Hulle, was invalided out.

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