mon 07/10/2024

family relationships

Bedknobs and Broomsticks, Marlowe Theatre, Canterbury review - dazzling Disney rewrite

Bedknobs and Broomsticks has always suffered from not being Mary Poppins, the movie delayed in development and released in 1971 (it is a Sixties film in tone and technology) and always seeming to appear later on the BBC’s Christmas Disney Time...

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The Nest review – intriguing, off-kilter family drama

The Nest is a peculiar animal, hard to nail down, parts family drama and social satire, but with a creepy sense of suspense rippling under the surface that threatens to bust the plot wide open. The fact that it’s written and directed by...

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CODA review - warm-hearted comedy about growing up in a Deaf family

When CODA opened Sundance in May, it was an instant hit with that liberal, kindly audience and was snapped up by Disney at great expense. It’s easy to see why – CODA is a funny, easy-to-watch coming of age comedy that allows viewers to feel warm and...

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Carousel, Regent's Park Open Air Theatre review - brave rewrite doesn't land

You've got to hand it to the Open Air Theatre in Regent's Park: this venue never simply dusts off a familiar musical title and plonks it onstage. Their commitment to reinvestigating the material, whatever it is, has done wonders for the...

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Big Big Sky, Hampstead Downstairs review - a perfectly realised character study

Get to Swiss Cottage early because Bob Bailey’s set for Tom Wells's new Hampstead Downstairs play Big Big Sky is a feast for the eyes. Angie’s cafe has the scrapey chairs, the tables you know will wobble a little if you get that one (and you...

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Riders of Justice review - revenge, coincidence and the meaning of life

All events are products of a series of preceding events. Or is life just a chain of coincidences? And if so, what’s the point in anything? Danish director Anders Thomas Jensen’s brilliantly inventive, genre-busting black comedy starts with a bicycle...

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Two of Us review - a lesbian love story with a difference

“Do you have a problem with old dykes?” demands Nina (the superbly ferocious Barbara Sukowa) of a bland, nervous young estate agent, halfway through this wonderfully original first feature from director Filippo Meneghetti. No, he stammers. “You see...

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Romeo & Juliet, Shakespeare's Globe review - unsatisfactory mix of clumsy and edgy

"It is dangerous for women to go outside alone," blares the electronic sign above the stage of the new Romeo and Juliet at Shakespeare's Globe. This disquieting sentiment obviously takes some of its resonance from the Sarah Everard case, yet it also...

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French Exit review - Michelle Pfeiffer faces mortality

Michelle Pfeiffer all but purrs her way through French Exit, as befits a splendid actress who cut a memorable Catwoman onscreen nearly thirty years ago. Playing a New York grande dame who deals with bankruptcy by decamping with her son Malcolm (...

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Hairspray, London Coliseum review - brighter and more welcome than ever

A revival of a multi-award winning musical, with a big star or two, may look like a safe choice to re-open London’s largest theatre, the Coliseum, but there was a tingle of jeopardy in the air, exemplified when the show catches you by surprise...

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Under Milk Wood, National Theatre review - Michael Sheen at his most magnetic

There's commanding, and then there's Michael Sheen, who sweeps on to the Olivier stage 15 minutes or so into the new National Theatre revival of Under Milk Wood and scoops up the entire production with it. Inheriting a role made to order for this...

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Raya, Hampstead Downstairs review - a richly fraught reunion

Thirty years on, Alex and Jason meet at a university reunion and cab it back to Jason’s old student house where Alex is thinking “probably…” and Jason is thinking “probably not…”  - each, it turns out, with good reason. We look on as the clumsy...

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