Schubert
Boyd Tonkin
On a night when any brooks running past the Wigmore Hall might have frozen almost solid, Imogen Cooper’s recital travelled on sparkling waters of the highest purity across almost a century of pianistic innovation.As well as the streams and fountains that both Liszt and Ravel descriptively channelled into their Jeux d’eaux, Dame Imogen (absurdly, she has only just acquired the handle) found a rippling liquidity even amid the monumental gravity of Schubert’s great A minor sonata. Piano generations touched hands, too, in Ravel’s Valses nobles et sentimentales of 1911. They carried the Viennese Read more ...
Richard Bratby
The screen lights up, the Zoom link connects and there, blinking back at you (30% awkward, 70% enthusiastic) is a familiar face. Is it definitely working? Can you hear me? What do we say now? God, I'm getting old. Even after 12 months of conversation through webcams it still feels forced to me; something to one side of real life, simultaneously weird and routine, intimate and alienating, even as memories of the Old Normal grow increasingly remote. Is that a piano? Well, why not, these days? And then the face on the screen – I knew I recognised him; it’s the tenor Joseph Doody, who I last saw Read more ...
David Nice
Some pianists would take the chance of a birthday celebration to pioneer a solitary epic. Not the ever-collegial, unshowy, some would even say visionary Steven Osborne. For this ultimately unforgettable Wigmore Hall concert, he’s devised a programme of two Schubert and two Ravel masterpieces, trios from himself and four ladies encasing piano works duo and solo. It’s all first rate, but technical weaknesses in the sound presentation mean it only all comes into proper focus in the second half of what remains, owing to the nature of the times, a relatively short event.Why, you wonder, can’t we Read more ...
Miranda Heggie
The bleak isolation and lonely angst felt in Schubert’s Winterreise is only too appropriate for a lockdown January. However, one positive to shine from this gloom is tenor David Webb’s own "Winter Journey". Cycling around his home in London every day since "Blue Monday" – 18 January, supposedly the most depressing day of the year – Webb has clocked up 500 miles and is raising money for both MINDS and Music Minds Matters, to help pay for at least two people to have counselling and therapy for a year. This concert – streamed live from the Wigmore Hall on Friday – celebrates the culmination of Read more ...
graham.rickson
Bach: Sonatas for recorder, harpsichord and viola da gamba Michala Petri (recorder), Hille Perl (viola da gamba), Mahan Esfahani (harpsichord) (OUR Recordings)That these sonatas were originally composed by Bach for flute is surely of no consequence; Michala Petri’s affectionate, idiomatic performances on alto and tenor recorders convince from the outset. Importantly, she doesn’t attempt to impersonate a baroque flute, playing these sonatas as if they were written for her instrument. Petri’s sparing use of vibrato feels just right and she’s marvellous in Bach’s extended slow movements. Read more ...
Sebastian Scotney
This was the first song recital back at the Wigmore Hall following the second lockdown with a (distanced, 25%) audience. And it was a joy to be back. Great singing. That superb acoustic. A completely rapt audience. And, miraculously, not a single cough.Fatma Said and Joseph Middleton’s 75-minute recital consisted of a very cleverly-constructed two-part programme: the first half with songs about flowers starting with Mozart and progressing to Schubert, the second about dreams, from Schubert to Weill with an encore from Jerome Kern, all sung completely from memory.Said has a lively stage Read more ...
Sebastian Scotney
“It’s SO good to be back,” said Catherine Bott, and it would be impossible to disagree with her. She was presenting the livestream of the first concert to be performed in front of an audience at Wigmore Hall since March. The rules as originally in place (presumably from Westminster council) were going to limit that audience to a meagre maximum of 56 people, or just 10% of the seats, but the ruling was suddenly overturned, and the capacity last night was expanded to accommodate 112 of us fortunate souls.It felt not just like an imperative, but also a duty and a pleasure, to be able to produce Read more ...
Boyd Tonkin
Of course, we just had to end with a midsummer Winterreise. The Wigmore Hall’s month of lockdown concerts for BBC Radio 3 had begun with a legendary elegy – the Chaconne from Bach’s D minor Partita, written according to musical folklore in memory of his first wife, with which Stephen Hough so gravely, beautifully, broke the pandemic silence on 1 June. It finished, perhaps inevitably, with Schubert’s farewell journey of a forsaken spirit through storm, ice and snow, while the sun blazed down outside over a fretful, still fearful city. But art, even on the level that Mark Padmore and Read more ...
graham.rickson
Schubert: Symphony No 9 Scottish Chamber Orchestra/Maxim Emelyanychev (Linn)There’s a telling photo of Maxim Emelyanychev on page 11 of Linn's booklet, the conductor beaming at the camera, the body language suggesting he's having a hard time actually sitting still. This performance of Schubert 9 is impulsive and upbeat, an irrepressibly positive statement. Yes, this is a Ninth Symphony (or eighth, depending on your point of view), but it's still very much a young composer's work. It's possible to make this music sound like Bruckner, but Emelyanychev’s light touch feels entirely right, Read more ...
David Nice
When celebrated individuals get together to play chamber music on special occasions, the result can often turn out as what the late cellist of the Borodin Quartet, Valentin Berlinsky, disparagingly called "festival quality" – meaning a clash, rather than a blend, of personalities. That was never the case for a moment in the opening concert of the eighth Highgate International Chamber Music Festival.Two of its three founders, violinist/composer Natalie Klouda and cellist Ashok Klouda, had invited two of the most experienced soloists in the string world - powerful personality Alexander Read more ...
Robert Beale
Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round. Raphael Wallfisch gave the UK premiere of his Cello Concertino (Opus 43B), with the Northern Chamber Orchestra in Manchester last night. The “B” is not insignificant – it’s a reworked and shortened version of his Cello Concerto of 1948, scored for string orchestra accompaniment only, and wasn’t published until two years ago.At 16 minutes in length but still with four movements, the piece is certainly an Read more ...
David Nice
There are now two septuagenarians playing Schubert at a level no other living pianist can touch. Imogen Cooper celebrated her 70th birthday on 28 August, and marked it at the Wigmore Hall last night with a two-interval epic, poised but full of inner fire and deepest pathos, not long after 74-year-old Elisabeth Leonskaja had touched the heavens playing Beethoven's last three sonatas in a late-night concert and joined with Liza Ferschtman and István Várdai in Schubert's two late piano trios.Leonskaja has also programmed the Schubert triptych of the composer's last year in a single concert, and Read more ...