thu 10/07/2025

tv

The Last Kingdom - 'one of the very best things on television'

Adam Sweeting

The first series of The Last Kingdom in 2015 kicked off with a blockbuster episode which managed to encompass savage violence, dynastic rivalry and a speedy tour of the state of Britain in the ninth century, while allowing the central protagonist, Uhtred, to grow from boy to man. It was a virtuoso feat, and one which the opener of series two couldn’t quite repeat.

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Mary Magdalene: Art's Scarlet Woman, review - 'lugubrious'

Sarah Kent

Mary Magdalene: Art's Scarlet Woman (BBC Four) is, says art critic Waldemar Januszczak, a film about a woman who probably never existed. "So why,” he asks, “are we so obsessed with her?” He delivers the answer in breathy, lugubrious tones as if sharing a dirty secret. The story, he says, is “sweaty, sensuous and naughty...

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Henry IX, UK Gold, review - 'return of sitcom classics'

Veronica Lee

It has been a long, long time since Dick Clement and Ian La Frenais wrote a new sitcom; in their heyday they created The Likely Lads and its sequel, Whatever Happened to the Likely Lads?, Porridge and Auf Wiedersehen, Pet, all of which have become classics of the genre.

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Catastrophe, Series 3, review - the end of the road?

Jasper Rees

In the beginning it was about good catastrophes. A shotgun pregnancy after a hot hook-up. A dysfunctional transatlantic romance in which opposites attract. The boredom of looking after babies. The boredom of being a wage slave.

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How To Be a Surrealist with Philippa Perry, review - 'exhilarating'

Sarah Kent

Anyone with even a passing interest in surrealism should watch Philippa Perry finding out How to Be a Surrealist and, in the process, creating an exhilarating and richly informative BBC Four film.

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Decline and Fall review - 'a riotously successful adaptation'

Mark Sanderson

Like many first novels, Evelyn Waugh’s Decline and Fall has a strong whiff of autobiography. It is a revenge comedy in which Waugh – like Kingsley Amis after him in Lucky Jim – transmutes his miserable experiences of teaching in Wales into savage farce.

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Harlots review - 'fun quasi-feminist costume romp'

Jasper Rees

We like to think of Georgian England as a wellspring of elegance: the Chippendale chair and the Wedgwood teapot, the landscaped vista and the neoclassical townhouse. But, as subversively embodied in the mock heroic couplet, the seemly Age of Reason had a seamy underbelly. There was order, but also ordure.

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Line of Duty, Series 4 review – 'the tension rocketed to brain-jangling red alert'

Adam Sweeting

Now promoted to the exhilarating landscapes of BBC One as a reward for previous good behaviour, Line of Duty set off at a scorching pace into the murky shadowland where crime, punishment, ambition and corruption mingle...

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Paula Rego: Secrets and Stories review - 'in pictures you can let all your rage out'

Sarah Kent

“My mother has always been a bit of a mystery to me not only as an artist but also as a mum,” declares Nick Willing by way of introduction to his film for BBC Two on the painter Paula Rego, who turned 82 in January. What follows is as far removed from a traditional biopic as you could hope to find. 

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Syria’s Disappeared review - 'must-watch can't-look record of Assad's atrocities'

Jasper Rees

“The following images are extremely graphic.” The words appeared in white lettering against a black background, two-thirds of the way in. For the next minute, the screen filled with photographs of naked, emaciated corpses, some with crude writing across their bodies, others with labels affixed to foreheads. The eyes of one were gouged out; another’s mouth gaped open as if emitting a final scream of terror.

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