sat 29/06/2024

tv

Television: 10 Top Performances from 2013

Adam Sweeting

No definitive answers to what was "the best" of 2013 of course, and I daresay opinions will differ wildly. For instance, despite the plaudits showered on it elsewhere, I felt that Broadchurch stretched itself too thin after showing initial promise. An increasingly acute allergy to serial killer dramas meant I couldn't get too involved with Tony Grisoni's Southcliffe, let alone The Fall, with its extended, voyeuristic murder scenes.

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Death Comes to Pemberley, BBC One

Matthew Wright

At the time a mere 90 years old, detective novelist PD James raised literary eyebrows in 2011 with the publication of Death Comes to Pemberley, a crime-based sequel to Pride and Prejudice.

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Doctor Who: The Time of the Doctor, BBC One

Lisa-Marie Ferla

So long then, Matt Smith, and thanks for all the fish fingers and custard. I’m sure I wasn’t the only fan left scratching my head as the Eleventh Doctor, clad in smoking jacket and age-enhancing makeup, played out his final scenes - not least because I checked Twitter afterwards, just to make sure I hadn’t missed anything. I can’t begin to imagine what your family members, tuned in through force of habit as their turkey dinners digested, must have thought.

I’m not sure whether last...

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Downton Abbey Christmas Special, ITV / The Trachtate Middoth, BBC Two

Jasper Rees

A year ago it was all so different. Lady Mary gave birth and on his way home from the delivery suite Cousin Matthew steered his vintage soft-top into a tree trunk. There's rather less to report from Downton Abbey (***) this Christmas and the Daily Telegraph is free to devote its Boxing Day front page to something else. No actor has asked to be written out of the series, no one got engaged or even kissed, no one ended up in prison or even tears.

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Raised by Wolves, Channel 4

Lisa-Marie Ferla

Among all the frank, hilarious bits that peppered Caitlin Moran’s bestselling book How To Be a Woman, it was the early chapters – the ones that dealt with the author’s unconventional upbringing in the suburbs of Wolverhampton – that seemed most ripe for repackaging for television. Whether Raised by Wolves lives up to its promise as a coming-of-age comedy drama for any teenage misfit that ever had an annoying sibling remains to be seen.

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Fresh Meat, Series 3 Finale, Channel 4

Thomas H Green

Many a series has found that its initial dynamism and brilliance cannot be sustained. From Julia Davis’s smart, brutal sitcom Nighty Night to the wildly-plotted sci-fi of Heroes, the second seasons just couldn’t keep up the standard or the pace. Often this failure is down to a consensus reality being pushed too far, the suspension of disbelief which the creators cleverly, carefully built with the audience being shattered.

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Homeland, Series 3 Finale, Channel 4

Adam Sweeting

Homeland's coming home? Well not exactly, but the conclusion to this crazy, mixed-up third series did suddenly feel as if the writers had finally managed to express something that they'd been groping towards for the last three months. Namely, if the show was to stay on the road (series four is in the works), Brody had to go.

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The 12 Drinks of Christmas, BBC Two

Matthew Wright

Most people know the basics of making a cocktail. Take two ingredients: one palatable and widely consumed, to make up the body of the concoction; the other, pungent and often bitter, to cause the lips to pucker and the throat to flinch.

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The Great Train Robbery - a Robber's Tale, BBC One

Adam Sweeting

We've already been casting a revisionary eye over Lord Lucan, the Cold War, the Kennedy assassination and the Profumo affair. Last year Sheridan Smith portrayed Mrs Ronnie Biggs for ITV, but what took them so long to get around to the Great Train Robbery itself? Just hours too long for the real Ronnie Biggs, as it happened.

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Ripper Street, Series 2 Finale, BBC One

Adam Sweeting

Though greeted ambivalently when it made its debut at the end of 2012, Ripper Street has looked increasingly like TV's undervalued secret weapon as it has surged purposefully through this second series. Maybe the title was misjudged, suggesting it was just another gruesome and mist-shrouded Victorian murder mystery. Turns out it was much more than that.

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