wed 26/06/2024

tv

Borgen, Series 3 Finale, BBC Four

Jasper Rees

It’s been a confusing week for British fans of Borgen. As they prepared to say farewell to Birgitte Nyborg and co, their beloved statsminister’s factual avatar was trending in the global media. If you know your Borgen, Danish PM Helle Thorning-Schmidt’s selfie with a President and a Prime Minister looked more like a brilliant script idea than a pesky news item.

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Boyzone at 20: No Matter What, ITV1

Lisa-Marie Ferla

In her role as host of this 20th-anniversary celebration, Dannii Minogue was not afraid to ask the tough questions that fans of Ireland’s greatest - or possibly other greatest - boy band wanted to know. “It’s the elephant in the room,” admitted Keith Duffy (the handsome one, not that you would have been caught dead admitting it in the Nineties, who later went on to appear in Coronation Street) with a nervous laugh.

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Lucan, ITV

Adam Sweeting

The disappearance of Lord “Lucky” Lucan in 1974 remains one of the most teasing enigmas of recent-ish history. Following the collapse of his marriage and a bitter battle with his wife Veronica for custody of their three children, the gambling addict Lucan is presumed to have battered the children’s nanny to death, attacked his wife, then fled the country by boat from Newhaven. Elvis-like sightings of the disgraced peer have poured in from around the world ever since.

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Heston's Great British Food, Channel 4

Jasper Rees

There’s a queue to get into Heston Blumenthal’s restaurant to order things like blowtorched fetlock of kudu with jus de cat-gut noodle on a bed of iron filings strained through a muslin jockstrap. A state of emergency was declared in the gated communities of the south-east a couple of years back when some punters succumbed to metal fatigue or carbon monoxide poisoning or some such specialist alimentary ailment.

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Pilgrimage with Simon Reeve, BBC Two

Matthew Wright

A cynic might say that the presenter of a series entitled Places that Don't Exist is perfectly qualified to go on a long walk to look for religious revelation. In keeping with his past explorations of wild places, Reeve's commentary was better on scenery than spirituality. Yet he didn't have the time to walk the entirety of any of his routes, giving his narration a slightly distant, disjointed feel.

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The Paradise, Series 2 Finale, BBC One

Tom Birchenough

The sense of an ending is a hard thing to achieve. The Paradise has garnered a loyal following over two series, and no doubt there will be viewers sad to see it depart. But unless options are still being kept open – no announcement either way seems to have surfaced from the BBC – last night’s episode looked like a finale.

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Get Folked: The Great Folk Revival, More4

Fisun Güner

I can’t say I ever tune into More4, so I confess that I don’t know whether its arts strand is any good, or even if it has one. But I suspect that Get Folked might have made a better three-parter on BBC Four, and not just for dedicated folk-heads. As it was, it tried to pack a lot into its 50 minutes (though allowing only 10 seconds for Mumford and Sons might be seen as a blessing by some) and it did so with a lot of seasoned hyperbole.

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The Silent War, BBC Two

Adam Sweeting

The cumulative effect of the BBC's Cold War season hasn't been to remind us that truth is stranger than fiction so much as to demonstrate how they swirled together into a miasma of delusion and uncertainty. We've seen Reds under the bed and spies in the ointment and revisited once again notorious episodes of the highest treason.

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Lionel Bart: Reviewing the Situation, BBC Four

Matt Wolf

These days, it seems you can't move without encountering musicals in some context or another on TV. Series like Smash and Glee trade on the genre to a degree hovering between the loving and the parasitic, while two contrasting documentaries, The Sound of Musicals and The Story of Musicals, have shed varying degrees of light on how shows get actually get to the stage (or not).

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Imagine: Who's Afraid of Machiavelli?, BBC One

Jasper Rees

There is a wonderful play to be written about the month in 1502 when Cesare Borgia was holed up in a castle in northern Italy with Leonardo da Vinci and Niccolò Machiavelli. Which of these two was working for the fearsome Borgia? Wrong. It was the creator of the Mona Lisa, not the author of The Prince. Machiavelli was a young diplomat of the new Florentine republic without a thought of realpolitik in his idealistic young head.

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