fri 20/09/2024

tv

Luther, Series Finale, BBC One

Adam Sweeting

What a strange, shape-shifting thing Luther is. Storylines ebb and flow around Idris Elba's dauntingly huge central character like flotsam and debris borne along on a heaving swell, but the man himself wades imperiously through it all like the Colossus in an old Jason and the Argonauts movie. Gross professional misconduct, subterfuge and blatantly aiding and abetting criminal behaviour are all part of Luther's daily routine.

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Falling Skies, FX

howard Male The cast of 'Falling Skies' apparently lost in the Hammersmith tube station underpass

It’s ironic that we TV critics were only allowed one viewing of this new sci-fi series before having to pass judgment, because even those only casually acquainted with the genre will feel they’ve seen the like of this part-Spielberg-conceived space invasion series many times before anyway. In fact, I can imagine the heads of sci-fi geeks exploding Scanners-style as their brains overheat with the effort of trying quickly to reel off all the films referenced by either concept or...

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Stolen, BBC One

Jasper Rees

Mainstream television drama has always shone a searching beam into the Stygian murk of society’s ills. But however laudable its campaigning credentials, a drama’s first duty to its audience is to work as drama. Cathy Come Home changed the public perception of homelessness, unemployment acquired a catchphrase in Boys from the Black Stuff, and institutional racism met its match in The Murder of Stephen Lawrence.

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Secrets of the Pop Song, BBC Two

Adam Sweeting 'Don't bore us, get to the chorus': Rufus Wainwright ponders the mysteries of the ballad

This hugely entertaining first instalment of a three-part investigation into what makes pop songs tick took as its theme "The Ballad", perhaps the most bomb-proof of pop's traditional forms. Mind you, the programme's definition of a ballad was pretty loose. For instance, I would say Sting's "Every Breath You Take" is merely medium-paced rather than a ballad. I'd just file Culture Club's "Do You Really Want to Hurt Me" under "Pop Song".

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Contemporary Dance Weekend, BBC Four

Ismene Brown A night in with contemporary dance on telly: Too much explanation

Yesterday was a day when male physicality and the science of movement preoccupied - when you watch Rafa Nadal or Jo-Wilfried Tsonga, you can’t help thinking about the contrasts of grace that achieve the same athletic needs; Nadal the pouncing cheetah, the rich, weighty speed of Tsonga. Thing is, when you watch programmes about the greatness of tennis, they don’t try to persuade you that it’s just as good to watch if you yourself learn to play and get it filmed for the public's delight...

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Time Shift, BBC Four

Josh Spero The Ritz, London: 'However society may change, there will always be people willing to buy what hotels are selling'

You might say that the grand hotels brought this on themselves. Time Shift: Hotel DeLuxe on BBC Four last night saw beneath the shine of their marble atria and heard the uncomfortable murmurs under the joyful gossip of their chic bars. What started out as an apparent paean to the luxury hotel - the Savoy, the Ritz, the Dorchester - with an emphasis on the glamour, energy, buzz and innovation they...

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Fake or Fortune?, Episodes 1 & 2, BBC One

Josh Spero

Fake or Fortune? on BBC One, with Fiona Bruce and art dealer and sleuth Philip Mould, ought to have been called CSI: Cork Street for its blend of fine art and forensic science. They were trying to resolve whether a Monet was in fact a Monet, using a 240 million-pixel camera, Monet's own accountbook (which Fiona Bruce ran her ungloved fingers across) and plenty of ominous music. Next up: who killed Marat in David's picture?

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Mildred Pierce, Sky Atlantic

Adam Sweeting

James M. Cain's novel Mildred Pierce is best remembered for Michael Curtiz's entertainingly lurid 1945 movie version, starring Joan Crawford. Featuring William Faulkner among its screenwriters, it played fast and loose with Cain's book, but bashed it into crowd-pleasing shape successfully enough to win Crawford an Oscar.

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Shameless US, More4

Adam Sweeting This Bud's for you: William H Macy as Chicago's own Frank Gallagher

The Americans have form when it comes to creating superior remakes of British TV shows. Life on Mars with Michael Imperioli? You gotta love it. The Office without Ricky Gervais? We are eternally in their debt.

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The Wonder of Weeds, BBC Four/ Afghanistan: War without End?, BBC Two

Adam Sweeting

Continuing BBC Four's trend of creating surprisingly watchable programmes out of dowdy and unpromising ideas, this survey of the plants gardeners love to hate was a mine of information and offered plenty of food for thought. And for that matter, plenty of food, since it appears that wheat has only survived to become one of our top crops because, several thousand years ago, it was genetically beefed up by getting spliced to a weed.

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