tv
When Harvey Met Bob, BBC TwoSunday, 26 December 2010![]()
At one point in Joe Dunlop’s Boy's Own adventure-style dramatisation of the events leading up to Live Aid, concert promoter Harvey Goldsmith asked Bob Geldof: “Why are you doing it, that’s the question?” I’ve interviewed Geldof on a number of occasions and there’s no doubting either the sincerity or enduring nature of his commitment to Band Aid. I’m not sure, however, that I or anyone else, and certainly not this film, has ever quite got to the bottom of Goldsmith's question. Why... Read more...
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Whistle and I'll Come to You, BBC TwoSaturday, 25 December 2010![]()
Television has been very good to MR James. The originator of the “antiquarian ghost story” - his plots often hinge on some stumbled-upon medieval relic - his spooky tales are certainly vivid and engaging. Yet he himself professed to never taking them terribly seriously: they were written as “entertainments", to be read out loud to a convivial circle of admiring undergraduates during his years as a Cambridge don. Read more... |
Imagine: Ray Davies, Imaginary Man, BBC OneWednesday, 22 December 2010![]()
"Compared to the way I feel now", said Ray Davies 50 minutes in, “having a nervous breakdown was a jaunt.” His voice was even, matter of fact. He didn’t look distressed, merely appeared to be stating what he thinks is obvious. Julian Temple’s documentary about The Kinks’s leader and songwriter was packed with such moments – revealing and so open that it was impossible not to be affected by Davies’s low-key passion. This assured portrait was more than the story of a pop star. Read more... |
Come Rain Come Shine, ITV1Monday, 20 December 2010![]()
David Jason’s toby jug of a face has been on the television screen over Christmas since the days when you had to get up and switch between three channels by hand. There was nothing ostensibly seasonal in his latest vehicle. A Yuletide entertainment for our times, Come Rain Come Shine had starring roles for three very contemporary ghosts of Christmas Present - belt-tightening, debt and social implosion. But scratch at the surface and what emerged was a neat inversion of the... Read more... |
Strictly Come Dancing: The Final, BBC OneSunday, 19 December 2010![]()
It’s been a journey, an emotional rollercoaster, since 14 soap stars and sports personalities abandoned reality three months ago, donned a series of spandex and chiffon outfits and embarked upon the most important experience of their lives. They all gave it 110 per cent, took disappointment on the chin and came back fighting, and last night the three finalists battled it out for the ultimate prize – the Strictly Come Dancing 2010 glitterball trophy. Read more... |
Festivals Britannia, BBC FourFriday, 17 December 2010![]()
A startling one in 10 British adults apparently went to a music festival this year. Given that I’m a music journalist and I didn’t, maybe I’m some kind of astronomically unlikely anomaly. I’d like to think so. But those familiar aerial shots of Glastonbury – not just a few fields but a sizeable expanse of Britain’s patchwork-quilt landscape, completely overrun by an infestation of teeming humanity - is enough to make me feel smugly sane to have decided, as usual, to just remain cosily at... Read more... |
The Savoy, ITV1Monday, 13 December 2010![]()
Once upon a time, just before Lord Reith began permanent rotation in his place of rest, there was a hideous botchjob of a television genre known as the docusoap. It wasn’t quite documentary and it wasn’t quite soap. It was scriptless drama with “characters” whose “narrative arcs” were tweaked and massaged into what you'd loosely call "stories" in post-production. The docusoap launched the idea that the public will gladly work on television for sweet Fanny Adams. If there’s one thing you can... Read more... |
Macbeth, BBC FourMonday, 13 December 2010![]()
Via the Chichester Festival and acclaimed runs on Broadway and in the West End, director Rupert Goold's Macbeth has made a sizzling transition to television. Set in an anarchic, war-torn Scotland and suffused with imagery of murder, torture and Stalin-style purges, it placed Patrick Stewart's thunderous central performance in a spinning black hole of evil, into which he was remorselessly sucked as the action developed. Read more... |
The X Factor 2010: The Final, ITV1Monday, 13 December 2010![]()
Last week I suggested that The X Factor's rules may have been manipulated in order to lead to a more entertaining final week. I would like to apologise unreservedly for this suggestion, in the light of the absolute unremitting shower of dismalness that we had to sit through this weekend. Read more... |
The Walking Dead: Series Finale, FXSaturday, 11 December 2010![]()
Now that The Walking Dead has been nominated for a Writers Guild of America award for Best New Series, executive producer Frank Darabont and his team must be ruing the fact that series one comprised only six episodes. A 13-part second season will probably air next October, by when its halo of success may have dimmed significantly. Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented...
Iranian director Mohammad Rasoulof is now an...
![Tight-knit ensemble: Anjli Mohindra, Deborah Findlay, Gina McKee, Romola Garai, Harmony Rose-Bremner in 'The Years'](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Years%201.jpg?itok=Tc5XqxSD)
Annie Ernaux’s semi-autobiographical book Les Années charts a woman’s life across time and space, history and memory, through...
![Bringing unhinged joy](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/NINA_CONTI_LIVE-07236%28Credit_Paul%20Gilbey%29.jpg?itok=G1I9o9NW)
“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.
The brilliance of...
![Folk and furious: Braimah Kanneh-Mason, Plínio Fernandes, Hadewych van Gent](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/noisenight198%20braimah_plinio_hadewych-3%20%281%29.jpg?itok=0h5c1mgB)
It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper...
![Deus ex machina: Dionysus (Tommy Franzén) takes pity on grieving Ariadne (Kristen McNally) in Minotaur](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Tommy%20Franze%CC%81n%20%28Dionysus%29%20and%20Kristen%20McNally%20%28Ariadne%29%20in%20Minotaur%20%C2%A92025%20Tristram%20Kenton%20%281%29.jpg?itok=GHMuDnZY)
Greek myths are all over theatre stages at the moment, their fierce, vengeful stories offering unnerving parallels with events in our modern world...
![Cyndi Lauper was as colourful as ever on the first night of her European tour](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Rebecca_Miller_Photo_Credit%201.jpg?itok=dRjt79yL)
Cyndi Lauper was preceded onstage by a brief video that zipped through her career, which she drily declared was just in case someone was at the...
![The Lurkers in 1978. Left to right: Pete “Manic Esso” Haynes, Nigel Moore, Pete Stride and Howard Wall.](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/The%20Lurkers_header_1000.jpg?itok=SVrHqgvo)
On its own, the second session The Lurkers recorded for the BBC’s John Peel show on 18 April 1978 is arguably a curio, a footnote. Four tracks of...
![Making faces: Junyan Chen, Sarah Brandwood-Spencer, Ruth Gibson, Eva Thorarinsdottir and Nick Trygstad in Hidden Mechanisms by Héloïse Werner](https://theartsdesk.com/sites/default/files/styles/thumbnail/public/mastimages/Manchester%20Collective%20%28Eva%20Thorarinsdottir%20Violin%2C%20Sarah%20Brandwood-Spencer%20Violin%2C%20Ruth%20Gibson%20Viola%2C%20Nick%20Trygstad%20Cello%2C%20Junyan%20Chen%29%20in%20Hidden%20Mechanisms%20by%20He%CC%81loi%CC%88se%20Werner%20%20Sozosei%20Photography.jpg?itok=gkXMzLSu)
When a piece of music is heard for the first time ever, there’s always the delicious hope that, just by being there, an audience might witness...