sun 31/08/2025

tv

The Hotel Inspector, Five

Adam Sweeting Cruella di Polizzi resumes her quest to hunt down Britain's surviving Basil Fawltys

I stayed in a frightful hotel in Plymouth once. Decrepit rooms, filthy windows, potentially fatal cuisine, sinister staff… By contrast, that same city’s Astor Hotel looked quite pleasant, though not if you were viewing it through the gimlet eyes of Alex Polizzi. Nothing that met her gaze was adequate. The décor was too kitschy and flowery and old-fashioned. The carpets were disgusting, the walls stained and peeling, the lobby too gloomy to contemplate. The establishment’s habit of equipping...

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Britain by Bike/ Britain Goes Camping, BBC Four

Veronica Lee 'Britain by Bike': Part social history, part travelogue on two wheels with Clare Balding

Themed seasons are often the invention of programmers who have run out of ideas; they string together loosely related output under a cleverly non-specific season title when any old dross gathering dust in the cupboard is given an airing. So I read the notes of BBC’s The Call of the Wild season - with its mix of repeats and new material, and the dread phrases “the great British love affair with the countryside”, “nostalgic exploration” and “a light-hearted look at”- with a sinking...

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The Fairy Jobmother, Channel 4

Fisun Güner Hayley Taylor's 'Highway Road to Success': A crash course for winners - or a dead end?

No-nonsense Hayley Taylor is to the terminally unemployed what Jo Frost, aka Supernanny, is to the attention-seeking, tantrum-prone pre-schooler – but without the naughty step. In this reality three-parter she attempts to do what whole governments have so far failed to: to get members of the long-term, unskilled unemployed (what some might unkindly term the "Jeremy Kyle generation" – aka the underclass) back into the labour market. This she attempts to do, not by sprinkling magic Fairy...

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Die Meistersinger at the Proms, BBC Four

David Nice

Two birthday parties kept me away from the Albert Hall yesterday (though I'll confess that in the end I treacherously skipped the second and stayed glued to the TV's delayed relay). That, and a slight fear that the concert performance of Wagner's Die Meistersinger von Nürnberg from the BBC Proms couldn't match up to the original Welsh National Opera production of the decade.

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Friday Night with Jonathan Ross, BBC One: The Twitter Review

theartsdesk

JasperRees He can't pronounce vuvuzela

JasperRees Is this really Becks' first time? What do he and Rourke say to each other? Bloody hell, Roxy are looking a bit senior

SweetingAdam Rourke once made a TV movie about Shergar. Title role I guess.

JasperRees Did they deliberately choose a Mickey Rourke clip in which he didn't say a word?

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The Silence, BBC One

Adam Sweeting

There was a gnawing suspicion that The Silence wouldn’t amount to much, since it was dumped in a four-night splurge in the middle of the mid-summer doldrums, and even the normally docile Radio Times had decided to stamp its foot and pick holes in it. One’s apprehension proved ill-founded, however. It turned out to be taut, tense, well acted and smartly written, and carried enough pace to lift it over the more credulity-stretching passages.

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Living with Brucie, Channel 4

Gerard Gilbert Bruce Forsyth and wife Wilnelia Merced-Forsyth act naturally for the cameras

So was it nice to see him (to see him nice)? Actually nice is probably the wrong word for Bruce Forsyth on the evidence of the opening documentary in a new series of Cutting Edge – tetchy, obsessive in his habits and (as we shall see) sometimes downright unpleasant, may be nearer the mark, as director David Nath gains access to Forsyth’s two palatial homes (...

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That Mitchell and Webb Look, BBC Two

Veronica Lee

If you know David Mitchell and Robert Webb from Peep Show on Channel 4 (written by Jesse Armstrong and Sam Bain), in which Mitchell plays the insufferably self-important Mark and Webb the self-deluding idiot Jeremy, then you will easily recognise similar stock types being used in That Mitchell and Webb Look on BBC Two, which goes to show you should never mess with a winning formula...

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Concorde’s Last Flight, Channel 4

howard Male

As an 11-year-old boy, I was awestruck from the first moment I saw Concorde on our three-channel black-and-white television, seemingly rearing up from its runway like a cyborg swan. At that age - and during that era - fact and fiction became vertiginously blurred when it concerned the fast-forward march of science and technology. While Factual-man was taking one slow-motion giant leap for mankind, Fictional-man was going where no man had gone before.

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Pete and Dud: The Lost Sketches, BBC Two/ British Grand Prix, BBC One

Adam Sweeting Wossy and his mirthsome pals celebrate Cook and Moore, with the great Clifford Slapper at the piano

Great comedy may be timeless, but that's probably because of the great comedians performing it as much as the material itself. Could you imagine Dad's Army being anything more than a shadow of its former self if it was remade with a new cast? Would Frasier achieve the same transcendent mix of bourgeois self-regard and millisecond farcical timing with James Corden and Mathew Horne in place of  Kelsey Grammer and...

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