tv
A Band for Britain, BBC TwoTuesday, 09 March 2010
We know the grammar now by rote. Some local institution is on its uppers. A traditional way of life is threatened by changing times. Sic transit etcetera and so forth. What’s wanted is a shot in the arm, a kick in the seat, preferably administered by a famous well-known celebrity star, one if at all possible followed at all times by their own bespoke camera crew. Read more...
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Women, BBC Four / Dispatches - Cameron Uncovered, C4Tuesday, 09 March 2010
You don't have to be female to wonder where the feminist revolution went. You only have to look at the not-very-private lives of footballers and the gaggles of wannabe WAGs flinging themselves in their path, or the way female pop stars seem to relish the requirement to dress up (or down) like porno queens, to wonder if it isn't high time somebody wrote an update of Kate Millett's Sexual Politics. Read more... |
The Lure of Las Vegas, BBC TwoSunday, 07 March 2010
“The Mob made Vegas,” says its mayor since 1999, Oscar B Goodman. And he should know, having defended plenty of mobsters in his time when - he and I are equally quick to point out - he was a defence attorney and didn’t know what they were really up to. Read more... |
Five Days, BBC OneFriday, 05 March 2010
Benjamin Franklin once said that fish and guests start to smell after three days – and something similar happened to BBC One’s latest “event drama”, Five Days. The odour was that of decaying promise, and, if duty hadn’t called, I probably wouldn’t have hung around until the final episode of Gwyneth Hughes’s week-long saga. Not that it was boring exactly – in an unhurried,... Read more... |
Eddie Izzard: Marathon Man, BBC Three / The Man with the Golden Gavel, BBC FourThursday, 04 March 2010
Is Eddie Izzard running a lot of marathons really worth three hour-long documentaries? No, but it was worth watching this first one. Read more... |
Five Days, BBC OneTuesday, 02 March 2010
We’ve been here before. In the first week of theartsdesk’s existence, the BBC began screening a daily drama by the name of The Cut. Daily drama has never been the BBC’s thing, unless you happen to speak Welsh and follow Pobol y Cwm, and so it proved with this online soap dished out in bite-size five-minute pieces. Read more... |
Michael Winner's Dining Stars, ITV1Saturday, 27 February 2010
The national urge for self-flagellation on television continues apace with Michael Winner’s preposterous new series. Not content with having to eat cockroaches in Borneo, never mind being tongue-lashed by John Torode and that thuggish bloke who looks like a bailiff on Masterchef, the population is now queueing up to invite a cantankerous elderly man into their own homes to ridicule their cooking. At the end of the series, the winner gets to cook dinner for Michael's celebrity chums,... Read more... |
Damages, BBC TwoWednesday, 24 February 2010
The new series of the Glenn Close litigation drama Damages began like the previous two series of Damages – in the future tense. Someone deliberately slammed their car into the side of Patty Hewes’s car, and a grisly discovery was made in a wheelie bin. How we get to this dénouement will be revealed over the next three months. Am I up for such a commitment? Because miss just 10 minutes of this tortuous legal thriller and you’re up the proverbial creek. Read more... |
On Expenses, BBC FourTuesday, 23 February 2010
As one of the opening captions put it, "you couldn't make it up", and this sprightly drama about the House of Commons expenses scandal duly tacked its way skilfully up the channel between satire and slapstick. Concluding correctly that wallowing in moral outrage was not the way to handle a subject whose full ramifications have yet to land on us (and them) with their full crushing force, writer Tony Saint instead deftly depicted the Commons as a kind of Swiftian monstrosity, ludicrous yet... Read more... |
The Bible: A History, Channel 4Monday, 22 February 2010
For six years from 1988, when Sinn Fein was banned from direct broadcasting, Gerry Adams could be seen on television, but not heard. Instead, actors would read his words while his lips soundlessly moved. What would the architects of that ban have said if they’d been told that one day the political face of the Provisional IRA would be given an hour on television to make a programme about Christ? "Jesus wept?" "He’s got a bloody cheek?" Read more... |
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