sun 06/07/2025

tv

Welcome to Lagos, BBC Two

howard Male Heavy load in Lagos: a woman carries a whole cow head away from the market

You might think that an hour-long documentary mainly shot around a slaughter yard and rubbish dump might not make for particularly agreeable television, but trust me, this opener of a three-part series is by turns amusing, life-enhancing and gripping. Producer Will Anderson and director Gavin Searle have done an excellent job of getting under the surface of one of the worlds great megacities. A place that in the space of 50 years has grown from a population of about 300,000 to 16 million today.

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Beautiful Minds: James Lovelock, BBC Four

Gerard Gilbert

At around the same time that Oliver Postgate, that singular genius of children’s television, was knocking up new worlds in his garden shed in Kent, so, in a garden shed in Wiltshire another remarkable maverick, Professor James Lovelock, was assembling a new world of his own.

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Later... with Jools Holland: in the studio

joe Muggs

Welcome to the grown-up rock mothership. I've seen bands play in TV studios plenty of times over the years, but walking into the Later... With Jools Holland recording at BBC Television Centre for the first time, as I did last night, is something else. Studios generally have a disappointing feeling of smallness, or of looking behind the curtain to reveal artifice, but this genuinely was like stepping into the TV screen: the circle of bands and punters exactly as you see it when the...

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Goldsmiths: But is it Art? BBC Four

Fisun Güner

Goldsmiths has produced 20 Turner Prize winners. It produced Damien Hirst and the majority of the Brit Art pack that caused such a Nineties sensation. It has attracted some pretty impressive tutors to its fine art department – ground-breaking artists in their own right, in fact. As such, the school is considered to be something of a star in itself. So what’s its secret? This BBC Four two-parter aimed to find out - and, you’ve guessed it, in keeping with a certain jaunty documentary-making...

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Foyle's War, ITV1

Adam Sweeting Michael Kitchen as DCS Christopher Foyle: no breast-beating histrionics

Once upon a time, they all laughed at Inspector Morse because it was felt to be too "highbrow". In 2007, ITV axed Foyle's War, despite regular ratings of about 7 million, allegedly to go in pursuit of a "younger" audience. But people power swung into action, and a surge of protest caused ITV to think again. Hence, DCS Christopher Foyle returned for a sixth series, and now here he is again in a seventh.

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Starsuckers, More4

Matt Wolf

That fame, and the pursuit thereof, is hurtful to the soul is the unexceptional if, I suppose, ever invaluable message of Starsuckers, the Chris Atkins documentary given genuine ballast by the details it selects with which to argue its case. Though overlong for what it is, and often veering off on tangents worthy of separate movies in themselves, it makes you laugh and wince in equal measure. Anonymity has rarely seemed a healthier place to be.

The Pacific, Sky Movies Premiere

Adam Sweeting

For The Pacific, the 10-part saga of a group of US Marines involved in the campaign to drive back the rampant Japanese army in the aftermath of Pearl Harbor, Spielberg has resumed the executive producer role he adopted to make Band of Brothers nearly a decade ago, once again in partnership with Tom Hanks.

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Johnny Mercer: The Dream's on Me, BBC Four

Adam Sweeting Johnny Mercer (right) with Nat King Cole, one of his discoveries for Capitol Records

Jazz enthusiast Clint Eastwood, who co-produced this film with the BBC's Arena, clearly harbours a particular regard for songwriter, singer, impresario and record company mogul Johnny Mercer. When Eastwood made his film of John Berendt's book Midnight in the Garden of Good and Evil, which was set in Mercer's home town of Savannah, Georgia and...

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Doctor Who, BBC One

howard Male

Of course I’ve not been anticipating the appearance of the new Doctor with quite the counting-the-days excitement of many children, teenagers and anoraked adults across the land. But to invert the Jesuit motto, "Give me a child until he is seven and I will give you the man," my seven-year-old self has recently resurfaced, resulting in at least a frisson of excitement.

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Who Needs Fathers?, BBC Two

Gerard Gilbert

Take two sets of separated parents and observe their opposing response to sharing the children. Colin and Alison haven’t involved lawyers, and divide childcare equally and amicably. Sandy, on the other hand, has spent tens of thousands of pounds on legal fees in order secure access to his four children with Rose, a woman who was so inured to being dragged through the family courts by her ex-husband that not until fairly late on in the quietly excellent Who Needs Fathers? did she...

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