sat 25/10/2025

tv

Bloody Foreigners: The Untold Battle of Britain, Channel 4

Adam Sweeting

The part played by Polish fighter pilots during the Battle of Britain has hardly gone undocumented, and the Hun-zapping exploits of the Polish 303 Squadron will be familiar to anyone with a historical interest in the subject, so you’d have to say that calling this film The Untold Battle of Britain was a wee bit of an exaggeration.

Read more...

The Untold Battle of Trafalgar, Channel 4

Veronica Lee 'The Untold Battle of Trafalgar': that fateful day re-enacted in Jeremy Hardy's documentary

If you happen to be in Trafalgar Square in London any time soon, you should take a close look at the friezes that adorn the ground portion of Nelson’s Column. For there you will find, most unexpectedly, that one of the sailors depicted is a black man, one of 1,400 non-British seamen among the 18,000 who took part in the Battle of Trafalgar on 21 October, 1805.

Read more...

Rev, BBC Two

Jasper Rees

It doesn’t often happen that a new sitcom is born perfectly formed. The Royle Family, it was instantly clear, would do no wrong. And there was nothing much the matter with those things by Ricky Gervais. (I'd also make a case for The IT Crowd.) But maybe Rev has a harder trick to pull off. Unlike comedies which achieve their effects by formal daring, Rev operates within narrower strictures. It is in all essential respects a deeply traditional sitcom.

Read more...

The IT Crowd, Channel 4

Jasper Rees

Aeons ago, and in another place, I had a sense-of-humour malfunction. A sitcom about three priests marooned on a remote Irish island took its bow. I didn’t crack a single smile, and said so firmly. Turned out I was in a tiny minority, and just needed time for the flavours of Father Ted to make themselves known. Later, when it came back for a second series, I duly gave myself a very public flagellation.

Read more...

Lennon Naked, BBC Four

Adam Sweeting

Films about rock stars usually fail, because it's impossible to recreate whatever larger-than-life qualities made them unique and famous in the first place. You frequently end up with a slightly embarrassing party-piece impersonation that captures some of the mannerisms but misses the essence of the character.

Read more...

Imagine: Art is Child's Play, BBC One

Fisun Güner

It took Picasso four years to learn to paint like Raphael, but it took him a lifetime to paint like a child, or so he said. For Brancusi it wasn‘t a case of relearning childhood, but of being careful not to lose it in the first place. “When we are no longer children we are already dead,” he said.

Read more...

Being N-Dubz, Channel 4

joe Muggs Dappy, Tulisa and Fazer: oddly charming

Tulisa, Dappy and Fazer of North London pop phenomenon N-Dubz – or, if you prefer, Tula Constavlos, her cousin Dino Constavlos and their schoolfriend Richard Rawson – are easy to mock, and Channel 4 know it. The first episode of this showbiz slice-of-life documentary about the ebullient trio is so slathered with the kind of hideously knowing upper-middle-class arched-eybrow voiceover that characterises the whole of the channel's T4 youth programming strand that you have to wonder if they...

Read more...

Glastonbury at 40, BBC Four

graeme Thomson

You could tell Glastonbury at 40 was in trouble as early as the opening three minutes, when it cut from a well-heeled, ageing hippie survivor mumbling about “earth magic” to footage of Robbie Williams in 1998 bashing his way through the entirety of "Angels". The programme stumbled into the vast gulf between those two concepts as uncertainly as a reveller stumbles into the wrong tent at four in the morning, and never once looked like finding its way back home.

Read more...

Steve Winwood: English Soul, BBC Four

Adam Sweeting

Almost like an inverted echo of Stevie Wonder over in Detroit, Little Stevie Winwood was a Brummie teen prodigy who scored an early dose of stardom with the Spencer Davis Group at age 15. Raved over for his amazing soulful vocals and effortless instrumental skills, he went on to form Traffic before joining “supergroup” Blind Faith with Eric Clapton.

Read more...

Gareth Goes to Glyndebourne, BBC Two

Jasper Rees

We love Gareth Malone, don’t we? We are big fans of the Pied Piper of primetime. And so we should be. The youth of today seem impressively eager to down tools, put away childish things like knives and drugs and safe-cracking equipment, and follow this slightly weedy and totally uncool choirmaster out onto the concert platform. Our glorious new coalition should be using him to tackle crime.

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

'Fevereaten' sees gothic punk-metallers Witch Feve...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really hold things together. Evidence? Well, he’s lost his...

Demi Lovato's ninth album, 'It's Not That Dee...

Demi Lovato is impressive on many fronts. She’s a Noughties Disney...

The Unbelievers, Royal Court Theatre - grimly compelling, po...

Change, we're often told, is the engine of drama: people end up somewhere markedly different from where they began. So the first thing to be said...