sun 14/09/2025

tv

A Very English Scandal, BBC One review - making a drama out of a crisis

Adam Sweeting

There was a time when Hugh Grant was viewed as a thespian one-trick pony, a floppy-haired fop dithering in a state of perpetual romantic confusion. But things have changed. He was excellent in Florence Foster Jenkins, hilariously self-parodic in Paddington 2, and he’s brilliant in A Very English Scandal (BBC One) as smooth, treacherous Liberal leader Jeremy Thorpe.

Read more...

The Handmaid's Tale, Series 2, Channel 4 review - it's not getting any better for Offred

Adam Sweeting

Not the least startling element of Bishop Michael Curry’s house-rockin’ sermon at the royal nuptials was his quotation from the old spiritual “There is a balm in Gilead”. Evidently the Bishop was not referring to the endlessly looping nightmare that is The Handmaid’s Tale, where “Gilead” means not balm, but torture, terror, misery and misogyny.

Read more...

Innocent, ITV review - David Collins wants his life back

Adam Sweeting

Addressing the baying media on the steps of the courthouse after being acquitted of murdering his wife, for which non-crime he’d spent the last seven years in prison, David Collins (Lee Ingleby) was a bitter and angry man.

Read more...

Patrick Melrose, Sky Atlantic review - an olympiad of substance abuse

Adam Sweeting

Edward St Aubyn’s Patrick Melrose novels have been admired for their prose style, scathing wit and pitiless depiction of a rotting aristocracy.

Read more...

The Bridge, BBC Two, series 4 review - Scandi saga is darker than ever

Jasper Rees

In the 1990s, which brought us Morse, Fitz and Jane Tennison, an idea took root that all television detectives must be mavericks. They needed to be moody, dysfunctional, addictive, a bit of an unsolved riddle. These British sleuths were all variations on a glum theme but the scriptwriters knew the limits. Make them suffer, but don’t put them through hell.

Read more...

The Woman in White, Series Finale, BBC One review - good-looking, but flat

Tom Birchenough

Much has been made of this adaptation of The Woman in White having an especial relevance for our times.

Read more...

Homeland, Series 7 Finale, Channel 4 review - Russian roulette

Adam Sweeting

In a manner uncannily reminiscent of last year’s Season 6, this latest edition of Homeland spent at least half the series trying to get warmed up for the dash to the tape over the final furlongs.

Read more...

Ballet's Dark Knight - Sir Kenneth MacMillan, BBC Four review – hagiography and home videos

Hanna Weibye

If you came to this programme knowing nothing about the choreographer Kenneth MacMillan, you may have learned a few things. That he died, tragically and rather dramatically, of a massive heart attack during a first night performance of one his own ballets. That he was "interested" in sex and death, and frequently choreographed violent forms of both in his ballets.

Read more...

Friday Night Dinner, Channel 4 review - predictable but fun

Veronica Lee

The Goodmans are back - for a fifth (and rumoured possibly to be the last) series of Friday Night Dinner, Robert Popper’s deliciously daft comedy set in a secular Jewish household in north London and based on the Peep Show producer's own upbringing.

Read more...

Jazz Ambassadors, BBC Four review - the cool war

Matthew Wright

As the ice hardened in the Cold War of the mid-1950s, and the USSR mocked the USA for both its supposed barbarism and racial segregation, the representative from Harlem, Adam Clayton Powell Jr, had a bright idea.

Read more...

Pages

 

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Robyn - Robyn 20th-Anniversary Editio...

Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn,...

Album: Twenty One Pilots - Breach

For the past decade, the Ohio alternative superstars Twenty One Pilots have cultivated a deep lore starting with 2015’s Blurryface, and...

Downton Abbey: The Grand Finale review - an attemptedly eleg...

It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of...

BBC Proms: Ehnes, Sinfonia of London, Wilson review - aspect...

Critics (including this one) casually refer to John Wilson’s Sinfonia of London as an all-star outfit, an army made up of generals. This week I...

Album: Ed Sheeran - Play

“It’s a long way up from rock bottom/There’s been times I felt I could fall further.” So runs the opening line of Ed Sheeran’s eighth studio album...

Presteigne Festival 2025 review - new music is centre stage...

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his...

Islands review - sunshine noir serves an ace

From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep...

A Single Man, Linbury Theatre review - an anatomy of melanch...

Mind, body, body, mind. Medical science confirms the powerful two-way traffic between emotional and physical health. Nonetheless the idea of...

theartsdesk Q&A: actor Sam Riley on playing a washed-up...

You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the...