tue 08/10/2024

tv

Working with Weinstein, Channel 4 review - portrait of a predator

Saskia Baron

While this well-crafted documentary chose to open with footage of the stars and glitz of the American awards ceremonies, the focus of Working with Weinstein (Channel 4) was almost entirely on Harvey Weinstein’s involvement over more than 30 years in...

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Mum, BBC Two, series 2 review - Lesley Manville is a discreet delight

Jasper Rees

This week brings a tale of two comedies. Both half-hour sitcoms are about widowed mothers with grown-up sons still at home. Each woman has an unattached admirer. Both shows star fine comic actresses who learned much of their craft in the films of Mike Leigh. And the new series started two days apart. On BBC One was Hold the Sunset.

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Hold the Sunset, BBC One, review - this is an ex-sitcom

Jasper Rees

You need to be of a certain vintage to have any memory of the traditional suburban family sitcom. Like the Raleigh Chopper and the Betamax video, like amateur athletics and glamrock and key parties, it is an extinct cultural artefact. What did for it? The internet, mainly, and the kids not watching scheduled telly any more, and maybe the rise of stand-up.

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Troy: Fall of a City, BBC One review - soapification of the Trojan War

Adam Sweeting

The plan to bring drama back to Saturday nights on BBC One enjoyed mixed success with Hard Sun, but now threatens to slide over a cliff with this trip back to the Homeric era. In the era of Game of Thrones and now Britannia, you can see why somebody fancied having a go at the swords-sandals-and-sorcery of the Trojan War. The question is, how?

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Trauma, ITV, review - surgically imprecise revenge drama

Jasper Rees

When you’re hot, you’re hot.

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Collateral, BBC Two review - a lecture or a drama?

Adam Sweeting

It says something about the state of television that sooner or later every actor has to play a cop or a spy.

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McMafia, Series finale, BBC One review - the last bite is the cruellest

Tom Birchenough

McMafia has taught us to recognise one thing – you might call it the “Norton stride”. As the charismatic Alex Godman, James Norton has been advancing, confidently at screen centre, towards one challenge after another, and they have been coming (mildly put) from all sorts of unexpected quarters. He’s dealt with everything by pressing onwards, ignoring advice from all and sundry.

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Derry Girls, Channel 4 review – bring on series two!

Owen Richards

When first announced, Derry Girls seemed a strange prospect.

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Spiral, Series 6 Finale, BBC Four review - hot fuzz hit new heights

Adam Sweeting

Happily, there’s hope for Spiral junkies – as series six ends, we bring you news that series seven has just gone into production. This is just as well, because these last dozen episodes have been an object lesson in how to make TV drama for the mind and body, nimbly evading cop show genre-pitfalls to bring us carefully-shaded characters operating within a Venn diagram of overlapping grey areas...

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Requiem, BBC One review – everything but the scares

Owen Richards

Despite horror’s omnipresence in cinema, British television has been somewhat deprived of jump scares.

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