sat 25/10/2025

Marina Vaizey

Marina Vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Pioneering Women, Oxford Ceramics Gallery online review - domestic pleasures

Read more...

Hold Still, National Portrait Gallery review - snapshots from lockdown

Read more...

Extinction: The Facts, BBC One review - David Attenborough tells a devastating story

Read more...

William Feaver: The Lives of Lucian Freud: Fame 1968-2011 review - mesmerising, exhaustive and obsessively detailed

Read more...

George IV: Art & Spectacle, The Queen's Gallery review - all is aglitter

Read more...

Vincent van Gogh: the reader and the writer

Read more...

Bears About the House, BBC Two review - uphill struggle to save hunted animals

Read more...

Tutankhamun in Colour, BBC Four review - amazing enhanced images bring fabled Pharaoh to life

Read more...

The World's Greatest Paintings, Channel 5 review - enthusiastic presenter but no dazzling revelations

Read more...

John Grisham: Camino Winds review - morality tale with a light touch

Read more...

Caroline Maclean: Circles and Squares review - adventurous art, progressive living and a good gossip

Read more...

Grayson's Art Club, Channel 4 review - too many clichés and platitudes?

Read more...

Don Winslow: Broken review - a staggering crash course in the possibilities of crime

Read more...

Mark Kermode's Secrets of Cinema, BBC Four review - the undying allure of the spying game

Read more...

Sam Bourne: To Kill a Man review – the woman who fought back

Read more...

Taking Control: The Dominic Cummings Story, BBC Two review - disruptive political maverick eludes pigeonholing

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

Fevereaten sees gothic punk-metallers Witch Fever revel in a...

Witch Fever are a rising three-piece, originally formed in ...

The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

Scottish Chamber Orchestra, Ibragimova, Queen’s Hall, Edinbu...

The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

Springsteen: Deliver Me From Nowhere review - the story of t...

There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really hold things together. Evidence? Well, he’s lost his...

Demi Lovato's ninth album, 'It's Not That Dee...

Demi Lovato is impressive on many fronts. She’s a Noughties Disney...

The Unbelievers, Royal Court Theatre - grimly compelling, po...

Change, we're often told, is the engine of drama: people end up somewhere markedly different from where they began. So the first thing to be said...