We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…

Brendan Fraser’s mournful, basset-hound face finds a loving home in this affecting fable from director/writer Hikari. Fraser plays Phillip…

I have enjoyed Scenes From Above (Blue Note) more than any other album from Julian Lage since Modern Lore (Mack Avenue, 2018). There are…

Our most adventurous guitarist never does anything twice, at least not in quite the same form. Days after a recital in Dublin's Royal Irish…

We might simply call it a dilemma, but Hollywood screenwriters call it a “crisis decision”, or maybe sometimes a “swivel”. It’s when there’…

Such is the USA administration’s overwhelming saturation of the news cycle that, even with the comforting presence of an ocean between, it’…

Anna Lapwood may not be the only virtuoso organist to celebrate the centenary of Joseph Jongen’s Symphonie concertante this year, but with…

Thrash metal’s “big four”, the ones who originally set the genre rolling, are, famously, Metallica, Slayer, Megadeth and Anthrax. These are…

An opening sequence set in the Andalusian city of Ronda, with its spectacular bridge across the El Tajo gorge, seems to be setting us up…

The term “post-punk” is much overused to describe music, not least by we music writers. It usually covers anything with punk’s outsider…