Katherine Waters

Articles By Katherine Waters

Visual Arts Lockdown Special 4: half-way houses Wednesday, 01 July 2020 Read more...	Tahar Ben Jelloun: The Punishment review - triumph over torture Sunday, 28 June 2020 Read more...
Visual Arts Lockdown Special 2: read, search, listen, create Tuesday, 05 May 2020 Read more...	Bill Brandt/Henry Moore, The Hepworth Wakefield review - a matter of perception Tuesday, 03 March 2020 Read more...
Dora Maar, Tate Modern review - how women disappear Wednesday, 27 November 2019 Read more...	Measure for Measure, RSC, Barbican review - behind the times Tuesday, 19 November 2019 Read more...
Craig David, BBC Radio 2 review - what's your flava? Saturday, 16 November 2019 Read more...	Charlotte Salomon: Life? or Theatre?, Jewish Museum London review - rallying against death Friday, 15 November 2019 Read more...
Tutankhamun: Treasures of the Golden Pharaoh, Saatchi Gallery review - worth its weight? Saturday, 09 November 2019 Read more...	Little Simz, EartH review - bossing it Wednesday, 30 October 2019 Read more...
George Stubbs: 'all done from Nature', MK Gallery review - a glorious menagerie Tuesday, 29 October 2019 Read more...	Hogarth: Place and Progress, Sir John Soane’s Museum review - state of the nation Thursday, 24 October 2019 Read more...
Shuck 'n' Jive, Soho Theatre review - a mixed bag, lots of promise Tuesday, 08 October 2019 Read more...	William Blake, Tate Britain - sympathy for the rebel Sunday, 29 September 2019 Read more...
Van Gogh’s Inner Circle, Noordbrabants Museum review - the man behind the art Thursday, 26 September 2019 Read more...	Peter Doig, Michael Werner review - ambiguous and excellent Wednesday, 25 September 2019 Read more...

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The title refers to a line in Henry VI, Part III: the future Richard III boasts that midwives cried, "Oh Jesus bless us, he is born with...

Album: Saint Etienne - International

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BBC Proms: Barruk, Norwegian Chamber Orchestra, Kuusisto rev...

Every year, the Royal Albert Hall proves complicit in the magic of the quietest utterances if, as Barenboim put it, you let the audience come to...