ash.smyth
Bio
ASH Smyth has written about music and the arts for The Oxford Times, The First Post, The Spectator, Music Teacher, Early Music Today, whatsonstage.com, Guernica, Stop Smiling, and the Sri Lankan Sunday Times. He is the co-author (with Richard Suart) of They'd None of 'Em Be Missed, a potted history of WS Gilbert's "Little List".

articles by ash.smyth

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What would ol’ Shakey think of such liberties? Two plays that may or may not be a single narrative, which may or may not have a missing…
Olga Koch comes bounding on to the stage and tells us she needs a time machine to tell her story, to prevent someone being born – at which…
Czech animator Jiří Trnka’s rise to international fame mirrored that of his contemporary Karel Zeman, both filmmakers producing work as…
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On paper, this Prom looked like a well-stocked display-case for collective choral virtues. Baroque wizard Peter Whelan (pictured below) led…
What does a spectacular backdrop give to – or maybe take from? – a music festival? Exit the Wigmore Hall and, however transcendent the…
Tread softly into Jon Batiste’s third volume of his Piano Series, Monk Meditations, drawing on and drawing out a number of introspective…
 Water Colour ★★★★Milly Sweeney’s powerful two-hander comes to one of the Fringe’s highest-profile venues bearing prestigious awards…
Although the sound quality is slightly boxy, the opening track on CBGB’s 1985 is a treat. “Gardens” is on a line between first-album Rain…
On first impressions, London vocal trio FLO’s music can seem very familiar. Their sound has always been that of American R&B rooted…