thu 19/06/2025

Christopher Lambton

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Bio
Christopher Lambton writes about music when he is not looking after woodland or chopping firewood

Articles By Christopher Lambton

St Mary's Music School, RSNO, Søndergård, Usher Hall, Edinburgh review - a shining role for young choristers

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MacMillan's Christmas Oratorio, Lois, Williams, RSNO, MacMillan, Usher Hall, Edinburgh – a great composer at the top of his game

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Scottish Chamber Orchestra, Currie, Queen’s Hall, Edinburgh review - maximum minimalism

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Bach B Minor Mass, SCO & Chorus, Egarr, Usher Hall, Edinburgh - smiling faces all round

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Tannhäuser, Deutsche Oper Berlin, Edinburgh International Festival 2023 - compelling concert Wagner

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Wang, Oslo Philharmonic, Mäkelä, Edinburgh International Festival 2023 review - sparkling concertos, bleak Shostakovich

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Turangalîla-Symphonie, LSO, Rattle, Edinburgh International Festival 2023 review - impressive climax to residency

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Ein Deutsches Requiem, SCO, Emelyanychev, Usher Hall, Edinburgh review - immaculate, but lacking soul

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Shibe, NYOS, Larsen-Maguire, Usher Hall, Edinburgh - young Scottish musicians storm the heights

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St Mary’s Music School, RSNO, New, Usher Hall, Edinburgh review - a cornucopia of delights

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Esfahani, RSNO, Søndergård, Usher Hall, Edinburgh review - music meets machine

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Batiashvili, Philadelphia Orchestra, Nézet-Séguin, Edinburgh International Festival 2022 review - classy playing, mismatched programme

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Salome, Bergen Philharmonic Orchestra, Gardner, Edinburgh International Festival 2022 review - orchestral majesty triumphs

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Rusalka, Edinburgh International Festival 2022 review - sumptuous rendition of a watery fable

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RSNO, RCOS Students, Søndergård, Usher Hall, Edinburgh - a massive gesture of solidarity

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Gillam, NYOS, Hasan, Usher Hall, Edinburgh - stunning variety from the new generation

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The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...