tue 23/04/2024

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Kolesnikov, Sinfonia of London, Wilson, Snape Maltings review – volcanic Britten and Vaughan Williams

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The Valkyrie, English National Opera review - fitfully flickering flames

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Smetana Trio, Wigmore Hall / Minerva Piano Trio, Christ Church Kensington review - spirits of delight

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Bluebeard's Castle 1: Bullock, Finley, Theatre of Sound, Stone Nest review - scenes from a marriage

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Dmitri Alexeev and Friends, St John's Smith Square review - an almost breathless brio

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HMS Pinafore, English National Opera review - shipshape classic comedy craft

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Williams, City of London Sinfonia, Southwark Cathedral review - a British Isles cornucopia

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Royal Opera House lullabies for Little Amal

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The Rake's Progress, Glyndebourne Tour - a classic revitalized

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Die ägyptische Helena, Fulham Opera review - mythological mess impressively handled

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Ridley Road, BBC One review - Jewish community fights Nazi nightmare in 1960s London

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Tamestit, LSO, Ticciati, LSO St Luke's review - viola as chameleon, palpitating Brahms

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Gabriela Montero, Kings Place review - improvising to a Chaplin classic is the icing on a zesty cake

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theartsdesk at the Two Moors Festival - birdsong, gongs and nocturnes in Dartmoor churches

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Philharmonia, Rouvali, RFH review - the really big orchestra is back for cosmic Strauss

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Jenůfa, Royal Opera review - Janáček scours the soul again in a compelling new take

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Blue Lights Series 2, BBC One review - still our best cop sh...

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Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...

DVD/Blu-Ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...

Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...

Banging Denmark, Finborough Theatre review - lively but conf...

What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great...

Music Reissues Weekly: Linda Smith - I So Liked Spring, Noth...

Three years ago, the release of Till Another Time 1988-1996 generated a thumbs up. A compilation of recordings by the Baltimore and/or...

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...