fri 19/04/2024

David Nice

David Nice's picture
Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Peter Grimes, Royal Opera review - impressive, not quite devastating

Read more...

CBSO Chorus, Czech Philharmonic, Bychkov, Barbican review - a mass of life

Read more...

Russians and friends play on for Ukraine

Read more...

The Telephone / Miss Fortune, Guildhall School review - brilliantly-executed double bill

Read more...

The Golden Cockerel, English Touring Opera review - no crowing over this henhouse

Read more...

Henry V, Donmar Warehouse review - playing at war

Read more...

‘Slava Ukraini!’: Russian musicians worldwide show solidarity

Read more...

When We Dead Awaken, The Norwegian Ibsen Company, Coronet Theatre review - living death, dying life

Read more...

Rachlin, Oslo PO, Mäkelä, Oslo Konserthus/Perianes, LPO, Berman, RFH review - the best-laid plans…

Read more...

Rigoletto, Royal Opera review - second time lucky

Read more...

The Cunning Little Vixen, English National Opera review - half-realised men and beasts

Read more...

This Is Going To Hurt, BBC One review - hospital drama with a realistic difference

Read more...

Kantorow, Philharmonia, Rouvali, RFH review – a new brilliance on the London concert scene

Read more...

Bajazet, Irish National Opera, Linbury Theatre review – robust but a bit rough

Read more...

Stikhina, Kowaljow, LSO, Noseda, Barbican review - dramatic songs of death, electrifying dances of life

Read more...

Fischer, LPO, Søndergård, RFH review - poised Mozart, lean and hungry Strauss

Read more...

Pages

latest in today

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...