Ellie Porter
Articles By Ellie Porter
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Surviving Black Hawk Down, Netflix review - the real story b...
Ridley Scott’s 2001 film Black Hawk Down was a technically superb blockbuster bristling with thunderous action sequences and famous...
Churchill in Moscow, Orange Tree Theatre review - thought-pr...
Playwrights who work for decades often acquire a moniker. In the case of Howard Brenton, who began his career as a left-winger in the turbulent...
Bridget Jones: Mad About the Boy review - older, sadder Brid...
Bridget Jones has grown up: v.v.g. Our heroine is still prone to daft pratfalls and gaffes and bursts of sensational idiot dancing....
Album: Fantastic Twins - Suite of Rooms
This album is SHORT. At 27 minutes and just five tracks, one might wonder why Julienne Dessagne (this is a solo act) didn’t call it an EP. But...
Festen, Royal Opera review - firing on every front
So the Royal Opera had assembled a dream cast, conductor (Edward Gardner) and director (Richard Jones). The only question until last night was...
Northern Winter Beat 2025, Aalborg review - The Courettes, D...
The exhortations don’t seem necessary as the audience is already letting off the steam which has built up in anticipation of a full-bore show....
theartsdesk Q&A: Iranian director Mohammad Rasoulof on...
Iranian director Mohammad Rasoulof is now an...
Album: Manic Street Preachers - Critical Thinking
Manic Street Preachers’ earnest and literate pretentiousness is both their Achilles Heel and their superpower. Their greatest songs are amped by...
Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican revi...
For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented...