fri 29/03/2024

Graham Fuller

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Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

DVD: I Believe in Miracles

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Brooklyn

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We Made It: Designing DVD Covers

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DVD: Slow West

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Suffragette

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DVD: Hard to Be a God

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Horse Money

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DVD: Vivre sa vie

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DVD: Abilene Town

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CD: Public Image Ltd - What the World Needs Now...

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DVD: My Darling Clementine

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Man With a Movie Camera

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The Salt of the Earth

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The second coming of The Third Man

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Station to Station

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DVD: Forty Guns

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Pages

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MJ the Musical, Prince Edward Theatre review - glitzy jukebo...

In a secret chamber somewhere, the producers of ...

The Dream of a Ridiculous Man, Marylebone Theatre review - f...

Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across...

Annie Jacobsen: Nuclear War: A Scenario review - on the inco...

‘[A]n unimaginably beautiful day’: this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to...

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...