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Graham Fuller

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Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

The Hateful Eight

Friday, 08 January 2016 Read more...

theartsdesk Q&A: Filmmakers Guy Maddin and Evan Johnson

Saturday, 12 December 2015 Read more...

DVD: Day of the Outlaw

Friday, 11 December 2015 Read more...

The Forbidden Room

Tuesday, 08 December 2015 Read more...

DVD: Love & Mercy

Tuesday, 01 December 2015 Read more...

DVD: By Our Selves

Friday, 20 November 2015 Read more...

DVD: I Believe in Miracles

Friday, 13 November 2015 Read more...

Brooklyn

Friday, 06 November 2015 Read more...

We Made It: Designing DVD Covers

Sunday, 18 October 2015 Read more...

DVD: Slow West

Friday, 16 October 2015 Read more...

Suffragette

Tuesday, 13 October 2015 Read more...

DVD: Hard to Be a God

Tuesday, 29 September 2015 Read more...

Horse Money

Tuesday, 15 September 2015 Read more...

DVD: Vivre sa vie

Friday, 11 September 2015 Read more...

DVD: Abilene Town

Thursday, 03 September 2015 Read more...

CD: Public Image Ltd - What the World Needs Now...

Saturday, 29 August 2015 Read more...

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'We are bowled over!' Thank you for your messages... ...
Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...